6 10 713 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo News Archive Description An account of the resource News, old and new, about Iloilo Province Subject The topic of the resource Iloilo Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document ILOILO City – The hard work and dedication exerted by the warriors, dancers, props, artists, and the entire team of Tribu Pan-ay contributed to their triumphant performance to bag the Aliwan Fiesta 2024’s champion trophy. Elvert Bañares, Iloilo Festivals Foundation, Inc. (IFFI), artistic director, said some tribe members even have “panata” or devotion and prepare well before their performance on Saturday. “They came in very prepared and they did excellently. They worked hard to represent Iloilo as best as possible,” Bañares told Panay News. The concept of Tribu Pan-ay’s performances between the Dinagyang 2024 and Aliwan Fiesta remained the same, said Bañares. “It is a story of faith and devotion in a land called Pan-ay. Sir Tata Carado, our performers, our artists, and our team worked tirelessly to bring this concept to life,” said Bañares. Bañares, a renowned film director, producer, and multidisciplinary artist, said he witnessed how the tribe showed dedication, humility, and commitment during their preparation. “I always say this to the tribe as our guiding principle: There’s no victory in the absence of values and there’s never a defeat in the presence of readiness and dignity,” said Bañares. “This victory is for all Ilonggos and all Filipinos anywhere in the world. We hope that through the performances of our tribes, we can make you happy and proud. And that we deepen our spirituality, so we can be emotionally guided as we journey through life,” he added. Tribu Pan-ay of the Fort San Pedro National High School was adjudged the grand champion in the Dinagyang Tribes Competition at the 2024 Dinagyang Festival last Jan. 28. Tribu Pan-ay received P25 million worth of school projects for Fort San Pedro National High School and the P1-million cash prize and a trophy. With their enduring spirit and talent, Tribu Pan-ay emerged victorious again after claiming the championship trophy and the P1.5-million cash prize in the Aliwan Fiesta 2024: Parade of Champions held in Manila on Saturday night. They On the other hand, the Tultugan Festival of Maasin, Iloilo, placed second in the Aliwan Fiesta cultural street dance competition. The festival showcases the vibrant celebration featuring bamboo instruments, highlighting the rich cultural heritage of Maasin. Eric Divinagracia, IFFI artistic director, stressed the tribe’s performance showcased not just Panay Island’s discovery during the Spanish colonization, but their cultural heritage and sustained faith in Señor Santo Niño. “We showed our Dinagyang presentation, beautiful drum beats which matched the performance of our dancers and accompanied by various elements, sets, and props all in devotion to Señor Santo Niño,” Divinagracia told reporters after the awarding ceremony. Meanwhile, Gov. Arthur Defensor Jr. congratulated Mayor Jerry Treñas of Iloilo City and Mayor Francis Amboy of Maasin, Iloilo following the success of their respective festivals. The governor lauded Treñas and Amboy for their leadership and dedication to promoting cultural heritage through the festivals. He emphasized the festivals’ role in fostering tourism and promoting local identity. “I am immensely proud of Mayor Treñas and Mayor Amboy for their exceptional stewardship and the outstanding performances of Dinagyang and Tultugan. These festivals not only highlight Iloilo’s vibrant culture but also strengthen our community bonds,” said Governor Defensor. The governor stressed the success of Dinagyang and Tultugan festivals highlighting their significance as cultural landmarks that unite and inspire communities across Western Visayas. “We look forward to further elevating Iloilo’s cultural prominence and continuing to celebrate our heritage through festivals like Dinagyang and Tultugan,” Defensor added. The Aliwan Fiesta is an annual cultural event in the Philippines that brings together various festivals across the country to compete in a grand showcase of Filipino culture and heritage. Organized by the Manila Broadcasting Company (MBC) and the Cultural Center of the Philippines (CCP), the event features three main competitions: the cultural street dance competition, the float parade, and the Reyna ng Aliwan beauty pageant. Participants come from different regions, each representing their local festivals. The Aliwan Fiesta provides a platform for these communities to exhibit their unique traditions, costumes, music, and dance, fostering a sense of national pride and unity./PN Citation Citation of the article Dalipe, G. (2024, July 1). Hard work, dedication keys to Tribu Pan-ay’s Aliwan victory. Panay News, 3 & 5. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hard work, dedication keys to Tribu Pan-ay’s Aliwan victory Description An account of the resource ILOILO City – The hard work and dedication exerted by the warriors, dancers, props, artists, and the entire team of Tribu Pan-ay contributed to their triumphant performance to bag the Aliwan Fiesta 2024’s champion trophy. Creator An entity primarily responsible for making the resource Dalipe, Gerome, IV Source A related resource from which the described resource is derived <a href="https://www.panaynews.net/hard-work-dedication-keys-to-tribu-pan-ays-aliwan-victory/" target="_blank" rel="noreferrer noopener">Panay News</a> Publisher An entity responsible for making the resource available Panay News Incorporated Date A point or period of time associated with an event in the lifecycle of the resource July 1, 2024 Language A language of the resource English Type The nature or genre of the resource Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo News Archive Description An account of the resource News, old and new, about Iloilo Province Subject The topic of the resource Iloilo Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Are Ilonggos ready for medical cannabis? Friday, March 15, 2024 Senate Bill No. 2573 states that the use of cannabis for medical purposes will be permitted “to treat or alleviate a qualified patient’s debilitating medical condition or symptoms.” BY GEROME DALIPE ILOILO City – The eloquent answer of Filipina-Australian beauty queen Catriona Gray during the 2018 Miss Universe pageant may still resonate with Filipinos when she declared her support for the use of marijuana for medical purposes. Like Gray, who stressed the importance of researching the effects of marijuana before legalizing it, the ongoing discourse on the legalization of marijuana (Cannabis sativa) in the country has gained support for its medical use, including Iloilo City officials. Mayor Jerry Treñas and Councilor Alan Zaldivar voiced their support for the use of marijuana for medical purposes when asked about their views on the legalization of marijuana. “For medical marijuana, I have no problem with it. When I was congressman, I heard that it is being used to treat terminal cancer patients to promote their well-being,” Treñas told reporters in a press conference. Zaldivar, the vice-chairman of the City Council health committee, said he supports the legalization of marijuana for medical, and not for recreational purposes. “As long as this will be based on medical study and approved by our health professional and concerned agencies, I support its legalization for medical use,” Zaldivar told Panay News. But are Ilonggos ready to use marijuana for medical purposes? “Oh, you will be surprised,” Treñas replied. The House of Representatives approved House Bill 6517, or the Philippine Compassionate Medical Cannabis Act, on its final reading on January 29, 2019. The bill aims to “legalize and regulate the medical use of cannabis,” with the overall goal of making it more accessible for Filipinos. At least 13 senators earlier signed Senate Bill No. 2573 containing Committee Report No. 210 and submitted by Senate committees on health and demography, public order and dangerous drugs, and finance. Those who signed the panel report are senators Robinhood Padilla, Christopher “Bong” Go, Ronald “Bato” Dela Rosa, Sonny Angara, JV Ejercito, Jinggoy Estrada, Mark Villar, Lito Lapid, Raffy Tulfo, Ramon “Bong” Revilla Jr., Grace Poe, Senate Minority Leader Aquilino “Koko” Pimentel Jr., and Senate Majority Leader Joel Villanueva. “The state shall protect and promote the right to health of the people and instill health consciousness among them. Pursuant thereto, the state shall legalize and regulate the medical use of cannabis, which has been confirmed to have beneficial and therapeutic uses for known debilitating medical conditions,” the bill reads. Under the proposal, the use of cannabis for medical purposes will be permitted “to treat or alleviate a qualified patient’s debilitating medical condition or symptoms.” “The medicalization of cannabis includes its acquisition, possession, transportation, delivery, dispensing, administration, cultivation, or manufacturing by private individuals or entities only for medical and research purposes,” the bill said. Upon its enactment, the government will establish Medical Cannabis Compassionate Centers (MCCC) and the Medical Cannabis Research and Safety Compliance Facility (MCRSCF) for research and testing. These new institutions will safeguard the distribution and research of medical cannabis in the country. A Philippine Medical Cannabis Authority or PMCA will also be created under the Department of Health (DOH), which will regulate the access and use of medical cannabis as well as the implementation of the measure. Under the bill, qualified patient is prohibited from doing the following: * Use cannabis for purposes other than for treatment of a debilitating medical condition and outside of the designated treatment facilities; * Use of cannabis with other illegal intoxicating or dangerous substances; and * Sell or give away medical cannabis. On the other hand, any physician is also barred from making the following: * Prescribe medical cannabis without an S2 license * Prescribe medical cannabis to any person who is not a qualified patient under this Act * Prescribe the use of medical cannabis for purposes other than for treatment of a debilitating medical condition * Prescribe medical cannabis in quantities more than the needed dosage. Citation Citation of the article Dalipe. G. (2024, March 15). Are Ilonggos ready for medical cannabis?. Panay News, 2. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Are Ilonggos ready for medical cannabis? Description An account of the resource ILOILO City – The eloquent answer of Filipina-Australian beauty queen Catriona Gray during the 2018 Miss Universe pageant may still resonate with Filipinos when she declared her support for the use of marijuana for medical purposes. Creator An entity primarily responsible for making the resource Dalipe, Gerome, IV Source A related resource from which the described resource is derived <a href="https://www.panaynews.net/are-ilonggos-ready-for-medical-cannabis/" target="_blank" rel="noreferrer noopener">Panay News</a> Publisher An entity responsible for making the resource available Panay News Incorporated Date A point or period of time associated with an event in the lifecycle of the resource March 15, 2024 Language A language of the resource English Type The nature or genre of the resource Article Subject The topic of the resource Cannabis Marijuana Ilonggos Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo News Archive Description An account of the resource News, old and new, about Iloilo Province Subject The topic of the resource Iloilo Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Lúthang could become the word of the year, capturing the essence of the new poetry collection by Tomasito T. Talledo in Hiligaynon-Karay-a. Throughout the collection, the poet’s nuanced interpretations of this word stand out, serving as a compass for his poetics in crafting the work. These interpretations guide the reader to reimagine reality and explore the multifaceted impact of lúthang in both the figurative and literal mapping of violence and the recollection of past and present memories. The collection is divided into four parts, including Taguangkan, Binugrasan, Kaadlawan, and Binugsukan, encompassing a total of 25 poems. Notably, Talledo’s work can be classified as protest poetry, a significant literary tradition in the country that harnesses the power of language to engage with national issues. This tradition places particular emphasis on advocating for the rights of citizens and the marginalized poor, who are often overlooked in mainstream discourse. The writer sought to politicize his personal understanding of society to make it more impactful and beneficial for readers, whether they are activists or not. This intention is evident from the very first part of the collection, featuring poems such as Iloilo ang Banwa Ko, Ilongga, s’ya bala?, Dinagyang na naman, Panghangkat sang Bakunawa, and Panambi sang Tumandok. These works reflect a deep engagement with social issues and invite readers to consider the broader political and cultural context. At first glance, these poems may appear to be straightforward commentaries on discrimination and the state’s exploitation of its citizens. However, a deeper reading reveals them as powerful reminders and challenges, urging readers to trust in the power of words and the importance of memories. Aside from holding a deep respect for the power of words and the significance of memory in preventing forgetfulness, Talledo also acknowledges and raises his fist in solidarity with his allies, especially women. He particularly honors his mother, who displayed steadfast courage in engaging in the people’s struggle. This reverence is vividly expressed in the second collection of his poems, including Tigadluman, Negros, Sa Imo Kaadlawan Judy Taguiwalo, Saulogon ang Imo Kaadlawan Ma. Luisa Posa-Dominado, and Nanay. These poems do more than just offer praise; they amplify the resonant echoes of history, underscoring the vital role of women and our mothers in triumphing over an oppressive system that persistently attempts to bury our struggles into oblivion. Through his work, Talledo reinforces the importance of remembering and honoring these essential figures in our ongoing fight for justice. In the third part of the collection, Talledo masterfully weaves together elements of protest and folk literature. He underscores the significance of activism, protest, and marching for our causes in poems such as Halad sa Kaadlawan, Amba ni Andres kay Waling-waling, Alimukon nga Pispis si Gina Lopez, Saging, and Hurubaton. These poems highlight the importance of collective action and the enduring spirit of resistance. Consider, for example, these powerful lines: Bonifacio, Luna, Mabini: mga halad / Sa rebolusyon nga nagapadayon / Subong, magaatubang sa Bulutlakan / Ang ila matadlong nga mga panulok / Walay pangalag-ag, walay kahadluk / Buhi sa dughan kag utok sang tanan / Ang martsa padulong sa kadalag-an! The final and fourth part of the collection is divided into two sections, Binalay ni Bulalakaw and Padayon. These sections emphasize the significant contributions of individuals such as Valeriano Caro, Nilo Arado, Luisa Posa-Dominado, Ka Tingting, Rowena Torrato, and Komander Posa—victims of the fascist state. The persistent mention of their names throughout the collection serves to revive their memory, reminding the public of their crucial roles in the genuine liberation of the nation from an oppressive regime. This system continues to suppress the populace and inflict widespread suffering. For the poet, the revolution persists, and the lives of those who have fallen continue to resonate through the collective unity of people. Like Talledo, he remains steadfast, wielding his strength, language, and memory to sustain the struggle until justice is finally attained. Through these poems, Talledo not only pays homage to the martyrs but also perpetuates their enduring legacy, igniting a flame of inspiration in future generations to persist in the struggle against tyranny. The collection serves as a reminder that the quest for freedom is perpetual, and the valorous sacrifices of these individuals must remain etched in our collective memory for generations to come. Talledo is no coward, making it entirely fitting that he published his second collection of poems independently. It is fitting that it remains untranslated into English, preserving its authenticity. It is fitting that he compiled and transformed it into a book, granting us access to his profound brilliance. Through this act, Talledo demonstrates that beyond his roles as an activist and writer, he holds a deep respect for independent publishing. This choice empowers us, as readers, to recognize that the success and any changes we aspire for in the future of our country are firmly within our grasp. The process of writing, gathering, and publishing this project is truly commendable. In the foreword of the book, Talledo declares that this work is his response to the challenge of writing in his language. The poet powerfully reminds us that the language of the masses will liberate the masses. Like Rio Roja, Servando Magbanua, and Mayamor, we do not need to be included in the Palanca, nor should we be bound or blinded by awards and money. True poetry and the act of writing poetry demand engagement that transcends the mere act of writing itself. Talledo’s voice is indispensable in the field of creative writing, particularly in the discipline of crafting contemporary protest poetry. His understanding of the concept of protest goes beyond mere writing jargon; for him, the struggle must be lived, deeply integrated into our everyday lives, and inseparable from the essence of existence—a truth that resounds profoundly throughout his collection. Beyond being example of protest poetry, Talledo’s collection is a reflection of his own life as a professor and activist writer. He is not just a poet confined to his words; he is an active presence in the streets, continuously engaging in actions that many of us find daunting. This commitment is vividly echoed in his work, infusing his poetry with the very spirit of activism. Through his poems, Talledo becomes a living embodiment of the struggle, illustrating that poetry transcends mere words—it is a lived experience, an intrinsic part of daily existence. Citation Citation of the article de Leon, N.G. (2024, May 24).This Is Not a Review of Lúthang, the New Poetry Book by Talledo. Daily Guardian. 10-8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This is not a review of Lúthang, the new poetry book by Talledo Description An account of the resource Lúthang could become the word of the year, capturing the essence of the new poetry collection by Tomasito T. Talledo in Hiligaynon-Karay-a. Throughout the collection, the poet’s nuanced interpretations of this word stand out, serving as a compass for his poetics in crafting the work. These interpretations guide the reader to reimagine reality and explore the multifaceted impact of lúthang in both the figurative and literal mapping of violence and the recollection of past and present memories. Creator An entity primarily responsible for making the resource de Leon, Noel G. Source A related resource from which the described resource is derived <a href="https://dailyguardian.com.ph/this-is-not-a-review-of-luthang-the-new-poetry-book-by-talledo/" target="_blank" rel="noreferrer noopener">Daily Guardian</a> Publisher An entity responsible for making the resource available Daily Guardian Date A point or period of time associated with an event in the lifecycle of the resource May 24, 2024 Language A language of the resource English Type The nature or genre of the resource Article Subject The topic of the resource Poetry Book reviews Hiligaynon literature Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo News Archive Description An account of the resource News, old and new, about Iloilo Province Subject The topic of the resource Iloilo Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document NewsIloilo Study finds early mother-tongue teaching improves English, Filipino reading By Darlene Delgado -Tuesday, January 13, 2026 ILOILO City – Teaching children to read first in their own language leads to stronger literacy in English and Filipino, not weaker skills, according to a major international study released Jan. 6. The Language of Instruction Transition in Education Systems (LITES) research, led by the Philippine Institute for Development Studies with the University of Notre Dame, tracked about 1,200 pupils in 60 public schools and compared outcomes across six low- and middle-income countries, including the Philippines. Students who began reading in their mother tongue scored significantly higher in English and Filipino by Grade 4 — among the strongest gains recorded in local literacy research. The study found that early first-language instruction actually speeds up second-language learning. Teacher beliefs and classroom practice proved decisive. Pupils performed better when teachers viewed mother-tongue literacy as a foundation for later learning and when classes used deliberate code-switching. Access to mother-tongue books also boosted reading fluency, while in-service teacher training delivered better results than pre-service preparation alone. The researchers say these findings undercut claims that mother tongue-based multilingual education failed. Instead, uneven funding, limited materials, gaps in teacher deployment and frequent policy shifts weakened implementation. As the Philippines adjusts its language policy under the MATATAG curriculum, the study urges evidence-based planning: coordinated funding, stronger in-service training, adequate textbooks, and sustained support — especially for Indigenous and linguistically diverse learners—to preserve gains and avoid repeating policy reversals./PN Citation Citation of the article Delgado, D. [ 2026, January 13 ]. Study finds early mother-tongue teaching improves English, Filipino reading. Panay News, 3. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Study finds early mother-tongue teaching improves English, Filipino reading Description An account of the resource ILOILO City – Teaching children to read first in their own language leads to stronger literacy in English and Filipino, not weaker skills, according to a major international study released Jan. 6. Creator An entity primarily responsible for making the resource Delgado, Darlene Source A related resource from which the described resource is derived <a href="https://www.panaynews.net/study-finds-early-mother-tongue-teaching-improves-english-filipino-reading/" title="Panay News" target="_blank" rel="noreferrer noopener">https://www.panaynews.net/study-finds-early-mother-tongue-teaching-improves-english-filipino-reading/</a> Publisher An entity responsible for making the resource available Panay News Incorporated Date A point or period of time associated with an event in the lifecycle of the resource January 13, 2026 Language A language of the resource English Type The nature or genre of the resource Article Subject The topic of the resource Reading Native language--Study and teaching Native language and education Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo News Archive Description An account of the resource News, old and new, about Iloilo Province Subject The topic of the resource Iloilo Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document ACROSS BORDERS, ACROSS CANVASES: UP Visayas show links migration to modern Philippine art By Darlene Delgado -Tuesday, January 20, 2026 Nena Saguil’s “Fontainebleau” (1954), oil on canvas Nena Saguil’s “Fontainebleau” (1954), oil on canvas ILOILO City – For many Filipinos, migration is a family story that repeats across generations. A new exhibition at the University of the Philippines Visayas places that experience at the center of Philippine modern art, tracing how movement across countries shaped both artists and the work they produced. The UP Visayas Museum of Art and Cultural Heritage (UPV MACH) will open “Sown by the Traveler: Women and Migrants in Philippine Art” on Jan. 23, 2025, at 5 p.m. at the Pagwa Performing Arts Hall. The show features 16 paintings from the Lopez Museum and Library Collection. Alfonso Ossorio’s “Faineants” / “Loafers” (1945), watercolor and ink on paper Curated by Dr. Patrick Flores, the exhibit gathers works by artists whose careers unfolded through study, residence, and practice beyond the Philippines. It frames modernism as a story of circulation, with ideas, techniques, and influences carried across borders. Included are paintings by Anita Magsaysay-Ho, Nena Saguil, Alfonso Ossorio, Juvenal Sanso, Macario Vitalis, and Fernando Zóbel. UPV MACH said these artists’ lives and practices were shaped by migration and transnational experience. The museum described the exhibit as the second cycle of its collaborative project with the Lopez Museum and Library. The first cycle, “The Patrimony of All,” drew attention for presenting works by Juan Luna, Félix Resurrección Hidalgo, Fernando Amorsolo, and Juan Arellano. The two-cycle project was initiated by former Sen. Franklin Drilon, with government funding ensured by Sen. Loren Legarda, according to UPV MACH. The Iloilo City Government and the Eugenio Lopez Foundation, Inc. are also partners. UPV MACH will be open during the Dinagyang Festival weekend on Jan. 24–25. Visitors in Iloilo and nearby provinces can view the exhibit as part of the festival week’s cultural offerings. Regular museum hours thereafter will be Monday through Saturday, 8:30 a.m. to 4:30 p.m. The exhibition will run until the first week of June 2026./PN (caption1) Nena Saguil’s “Fontainebleau” (1954), oil on canvas (caption2) Alfonso Ossorio’s “Faineants” / “Loafers” (1945), watercolor and ink on paper Citation Citation of the article Delgado, D. [ 2026, January 20 ]. ACROSS BORDERS, ACROSS CANVASES: UP Visayas show links migration to modern Philippine art. Panay News, 3&14. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ACROSS BORDERS, ACROSS CANVASES: UP Visayas show links migration to modern Philippine art Description An account of the resource ILOILO City – For many Filipinos, migration is a family story that repeats across generations. A new exhibition at the University of the Philippines Visayas places that experience at the center of Philippine modern art, tracing how movement across countries shaped both artists and the work they produced. Creator An entity primarily responsible for making the resource Delgado, Darlene Source A related resource from which the described resource is derived <a href="https://www.panaynews.net/across-borders-across-canvases-up-visayas-show-links-migration-to-modern-philippine-art/" title="Panay News" target="_blank" rel="noreferrer noopener">https://www.panaynews.net/across-borders-across-canvases-up-visayas-show-links-migration-to-modern-philippine-art/</a> Publisher An entity responsible for making the resource available Panay News Incorporated Date A point or period of time associated with an event in the lifecycle of the resource January 20, 2026 Language A language of the resource English Type The nature or genre of the resource Article Subject The topic of the resource Migration Art, Modern Art, Philippine Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo News Archive Description An account of the resource News, old and new, about Iloilo Province Subject The topic of the resource Iloilo Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document ILOILO CITY, Philippines — The completion of the P295-million repair work on the controversial Ungka flyover in Iloilo may have to wait for some time. The Department of Public Works and Highways (DPWH) has announced that the full reopening of the flyover, initially scheduled for August, has been reset to November this year Sanny Boy Oropel, regional director of the DPWH in Western Visayas, reasoned that the rectification techniques, including drilling and jet grouting every 6 meters up to 52 m of the flyover, followed by curing periods, are complex. The presence of underground cabling systems of utilities, such as water and telephone lines, also slowed down the process, he added. According to Oropel, the contractor, Monolithic Construction and Concrete Products Inc., was carefully conducting seismic tests to ensure the stability of the soil beneath the structure. Huge budget The first phase of repairs, with a budget of P95 million, is expected to conclude by July 30 while the second phase, which costs P200 million, will still commence in August, said Oropel. At present, the two inner lanes of the flyover have been opened to traffic but only from 6 a.m. to 10 a.m. and from 2 p.m. to 9 p.m. daily. The cost of the Ungka flyover in Iloilo had soared from its original budget of P680 million to P975 million due to ongoing repairs. Oropel appealed for public understanding regarding the delays, saying that the first phase of repairs was 65-percent complete as of June 30. Engineering consultant Adam Abinales recommended adding bored piles to stabilize the structure. This requires the removal and possible replacement of the existing prestressed concrete girders to accommodate the necessary drilling equipment. The new piles will need to be bored to a depth of at least 40m, compared to the current depths of 26m to 28m. ‘Wavy feel’ The flyover, designed to alleviate traffic congestion at the intersection of Sen. Benigno Aquino Jr. Avenue and President Corazon Aquino Avenue here, connects Barangay Ungka of Jaro district in Iloilo City to Barangay Ungka 2 of Pavia town in Iloilo province. The 453.7-m Ungka flyover was opened to the public in June 2022 but was closed in September of the same year after public complaints over the “wavy feel” while driving over it, as well as reports and images of flooding at the top of the flyover during rainy days. To address the issues, the DPWH spent P13 million last year on a third-party geotechnical investigation, which found the structure to be sinking. The Ungka flyover was funded through the efforts of former Sen. Franklin Drilon to cut travel time to Iloilo International Airport in Cabatuan town. Phase 1 of the rectification work, which involves 2,352 linear meters of jet grouting on multiple piers, began in January on a P95.95-million contract. A pier is a type of structure that extends to the ground below or into the water. It is used to support the flyover and transfer the loads to the foundation. Citation Citation of the article Demaisip, R. D.(2024, July 8). In Iloilo, delay hits repair work on 'sinking' flyover. Philippine Daily Inquirer, A10. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Iloilo, delay hits repair work on 'sinking' flyover. Description An account of the resource LOILO CITY, Philippines — The completion of the P295-million repair work on the controversial Ungka flyover in Iloilo may have to wait for some time. Creator An entity primarily responsible for making the resource Demaisip, Ruchelle D. Source A related resource from which the described resource is derived <a href="https://newsinfo.inquirer.net/1958809/in-iloilo-delay-hits-repair-work-on-sinking-flyover" target="_blank" rel="noreferrer noopener">Philippine Daily Inquirer</a> Publisher An entity responsible for making the resource available Philippine Daily Inquirer Date A point or period of time associated with an event in the lifecycle of the resource July 8, 2024 Language A language of the resource English Type The nature or genre of the resource Article Subject The topic of the resource Highway bypasses Pavia Ungka Flyover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo News Archive Description An account of the resource News, old and new, about Iloilo Province Subject The topic of the resource Iloilo Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document JORDAN, GUIMARAS, Philippines — In the coastal village of Hoskyn in the heart of this town in Guimaras, a family has been trying to keep a century-old practice of producing artisanal salt alive. Shirley “Nenen” Padojenog, 65, is one of the few people who have mastered the art of making “tultul,” a block of artisanal salt, also locally known as “dukduk,” made from the ashes of driftwood that have been soaked and boiled in seawater and coconut milk. The legacy of tultul-making dates back to the late 1890s when Padojenog’s grandfather, Semion Ganila, concocted it to provide for his poor family. In those days, Guimaras only had a handful of houses, thus opportunities for livelihood were scarce. Padojenog could not recall how her grandfather came up with the recipe except that he used what was abundant in the area—coconut and seawater. She said the final recipe for tultul was a product of trial and error before her grandfather was satisfied with its taste, especially when paired with rice. Tultul was used to exchange for essentials like bananas, fruits and other crops. This age-old trade, rooted in the quest for survival, laid down the foundation for a tradition that would span generations. Padojenog was only 10 when she learned how to make tultul through her father after Ganila passed it down to his children. When her father died at the age of 55, Padojenog carried on the tradition along with her uncle, Sarafin Ganila, and cousin, Jomar Ganila. Jomar, however, had stopped making tultul a few years back due to his asthma. His children did not take the craft as they were busy with other jobs. Lull Padojenog’s family, however, was forced to stop making tultul in 2014 when her eldest son, Cherald, decided to focus on their travel and tour business following the influx of tourists to Guimaras. But tourism took a nose-dive in 2020 when travel restrictions were imposed to stop the spread of COVID-19. Guimaras also suffered from an oil spill in 2020 from a damaged power barge that was anchored off Iloilo. It was a harsh time for Padojenog who had to resort to scavenging to support her 10 children. Padojenog, who is separated from her husband, decided to revive their tultul business, hoping that it would help her family as it had done so with her grandfather in the past. She also needed additional income especially that her youngest child would be entering college at Guimaras State University. The year 2021 marked a return of the Padojenog family to tultul production. But it was not easy. Some neighbors, unfamiliar with the family’s link with the artisanal salt, raised concerns about the constant smoke generated during the almost 16-hour salt-making process. READY FOR MARKET Shirley Padojenog says ash from burnt driftwood is soaked and filtered to create a concentrated brine, which is later boiled to produce the artisanal salt called “tultul” or “dukduk.” READY FOR MARKET Shirley Padojenog says ash from burnt driftwood is soaked and filtered to create a concentrated brine, which is later boiled to produce the artisanal salt called “tultul” or “dukduk.” —Ruchelle Denice Demaisip From nature to table Because of the complaints, the Padojenogs made the tough decision to relocate, ensuring they could pursue the backyard business without interruptions. The Padojenogs have become used to an early morning routine, where family members are already up by 2 a.m. The process begins with a selective gathering of “dagsa” or driftwood that has been soaked in saltwater. While driftwood is abundant in Jordan, the Padojenogs get only what they need to ensure that this important raw material will not be depleted. Driftwood and cooking pans are replaced frequently to ensure the salt maintains its distinct grayish-white color, a hallmark of their traditional method. Collected driftwood pieces are burned and its ashes gathered and placed inside bamboo baskets known as “kaing.” Seawater is poured over the ash before the mixture is strained. The strained water is then collected in containers beneath the baskets. The process is repeated multiple times to create a hyperconcentrated solution. Some of the strained water are mixed with coconut milk (“gata”) to add flavor. The mixture is then poured into a cooking pan where it is slowly cooked for several hours. As the mixture evaporates due to intense heat, a small amount of the remaining strained water from the kaing is added. The process, although slow, gradually forms salt lumps, or tultul. The family shells out P15,000 in capital for a batch of Tultul but gets P30,000 in net profit. A tray of tultul is cut into 16 pieces—about the size of a bar of soap—which the family sells for P150 each. The family usually makes tultul once or twice a week, depending on the demand. A block of tultul is portionedand packed in small pieces, the size of a bar of soap, so these can be sold for ₱150 apiece. A block of tultul is portioned and packed in small pieces, the size of a bar of soap, so these can be sold for ₱150 apiece. —Nico Lopez Word-of-mouth The Padojenog family doesn’t want to limit their product to the local market. Cherald’s travel and tours business has paved the way for international interest in their products. His foreign customers began purchasing his products in large quantities after initially buying a handful of tultul. Impressed by the quality and taste of tultul, they later asked for more. The Padojenogs rely on the positive word-of-mouth generated by their satisfied customers, allowing their business to reach new markets and audiences around the globe. Cherald is already seeking advice from the Department of Trade and Industry for a standard packaging, aiming to bring the family product to a wider client base. There is uncertainty as Padojenog still does not know if any of her 18 grandchildren is willing to continue the family legacy. But Padojenog and her children are hopeful that younger family members will develop a deep and unwavering passion for salt-making. “My grandchildren love making tultul with me; they can’t wait to start [helping around] after school. We have to be careful, though, because it gets really hot [in the production area], and we don’t want them to get scalded,” Padojenog said. Subscribe to our daily newsletter Citation Citation of the article Demaisip, R.D. (2024, August 4). ‘Tultul’: Traditional salt-making lives on in Guimaras. Philippine Daily Inquirer, A7. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Tultul’: Traditional salt-making lives on in Guimaras Description An account of the resource JORDAN, GUIMARAS, Philippines — In the coastal village of Hoskyn in the heart of this town in Guimaras, a family has been trying to keep a century-old practice of producing artisanal salt alive. Creator An entity primarily responsible for making the resource Demaisip, Ruchelle D. Source A related resource from which the described resource is derived <a href="https://newsinfo.inquirer.net/1969126/tultul-traditional-salt-making-lives-on-in-guimaras" target="_blank" rel="noreferrer noopener">Philippine Daily Inquirer</a> Publisher An entity responsible for making the resource available Philippine Daily Inquirer Date A point or period of time associated with an event in the lifecycle of the resource August 4, 2024 Language A language of the resource English Type The nature or genre of the resource Article Subject The topic of the resource Salt Guimaras (Philippines) https://iloiloelibrary.com/files/original/3e41ee72b280c95a6e5010b4a35bba46.pdf 6b0c061a4f6030d9e51f09af3c9f665a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo: Features Description An account of the resource Includes features about Iloilo in magazines, books, and other publications Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Access Note Note about nature of access (if by request, etc.) Selected pages only Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 100 years: An educational milestone Subject The topic of the resource Philippines. Department of Education Schools Description An account of the resource Publication for the 100th Anniversary of the Department of Education - Division of Iloilo for December 2003. In the fullness of time -- A glimpse of the Division of Iloilo -- Iloilo: The Division with a glorious past -- Schools Division Superintendents -- Information about schools Creator An entity primarily responsible for making the resource Department of Education Division of Iloilo Publisher An entity responsible for making the resource available Department of Education Division of Iloilo Date A point or period of time associated with an event in the lifecycle of the resource 2003 Language A language of the resource English DepEd https://iloiloelibrary.com/files/original/32539d68372a2f30917e901efa004105.pdf 78f04b6afcc7f12f6646895dcb063348 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo Tourism Description An account of the resource Information on tourism in Iloilo Province and municipalities Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Citation Citation of the article 12 free things to do in Iloilo City [brochure]. (2014). Iloilo City: Department of Tourism - Region VI and Iloilo City Tourism Office. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 12 free things to do in Iloilo City [brochure] Subject The topic of the resource Iloilo (Philippines) Tourism Description An account of the resource Features 12 things to do in Iloilo City: 1. Weaving industry -- 2. Sporting life -- 3. Museo Iloilo -- 4. Villa beach -- 5. School campuses -- 6. Religious landmarks --7. Antique hunting -- 8. Shopping -- 9. Public markets -- 10. Delicacies -- 11. Fort San Pedro -- 12. Bamboo crafts Creator An entity primarily responsible for making the resource Department of Tourism - Region VI Iloilo City Tourism Office Publisher An entity responsible for making the resource available Department of Tourism - Region VI and Iloilo City Tourism Office Date A point or period of time associated with an event in the lifecycle of the resource 2014 Language A language of the resource English Type The nature or genre of the resource Brochure https://iloiloelibrary.com/files/original/436a72cba0daf2a18202d605d4882956.pdf 1bd90fc0e3d20dd846eb5facaa099ffa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iloilo: Features Description An account of the resource Includes features about Iloilo in magazines, books, and other publications Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Citation Citation of the article Experience the magic of Western Visayas in the Philippines. (2007). Iloilo City: Department of Tourism Western Visayas. Access Note Note about nature of access (if by request, etc.) Full text available Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Experience the magic of Western Visayas in the Philippines Subject The topic of the resource Western Visayas (Philippines) Description An account of the resource It is with great pleasure that we present this publication of Western Visayas in guidebook form. This is part of the Department of Tourism Region VI promotional service intended to be used for information, reference and other purposes. Many of our tourism offices abroad, embassies and consulates are hard put with materials to present to prospective visitors to the country. This publication will enable them to have a ready reference of Western Visayas in the Philippines. Tour operators, travel agencies and other institutions catering to the business of travel and tourism have often found difficulty in assisting clients due to lack of information. They, too, will find package tours they can promote. Even schools and students who are into research and term papers will find this book a rich source of information. -from the Foreword Creator An entity primarily responsible for making the resource Department of Tourism Region VI Publisher An entity responsible for making the resource available Department of Tourism Date A point or period of time associated with an event in the lifecycle of the resource 2007 Language A language of the resource English Type The nature or genre of the resource Guidebook Tourism