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                  <text>Iloilo News Archive</text>
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                  <text>News, old and new, about Iloilo Province</text>
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              <text>Amid a surge in dengue cases, the Iloilo Provincial Health Office (IPHO) is urging the public to support the Department of Health’s (DOH) nationwide “Alas Kwatro Kontra Mosquito” campaign, which promotes eliminating mosquito breeding sites every Monday at 4 p.m.&#13;
&#13;
Launching today, Feb. 24, the initiative calls on government offices, schools, barangays, and communities to participate in a province-wide Search and Destroy Mosquito Breeding Sites Kickoff Event to curb the spread of dengue.&#13;
&#13;
With the province exceeding both alert and epidemic thresholds, health officials stress the urgency of sustained community participation in preventive measures.&#13;
&#13;
The campaign aims to instill a habit of environmental cleanliness and vector control to reduce mosquito-borne infections.&#13;
&#13;
CASES SURGE BY 77%&#13;
&#13;
All 42 municipalities and one component city in Iloilo have reported dengue cases, with 592 infections and five deaths recorded from Jan. 1 to Feb. 15.&#13;
&#13;
This marks a 77% increase compared to the same period in 2024.&#13;
&#13;
The hardest-hit municipalities include:&#13;
&#13;
Leon – 33 cases&#13;
Oton – 32 cases (1 death)&#13;
San Joaquin – 32 cases&#13;
Dumangas – 31 cases&#13;
Cabatuan – 28 cases&#13;
Lambunao – 24 cases&#13;
San Dionisio – 23 cases&#13;
Banate – 20 cases&#13;
Janiuay – 19 cases&#13;
Tigbauan – 19 cases (1 death)&#13;
&#13;
The province’s latest fatality is a 2-year-old girl from Tigbauan. Other deaths have been reported in Pototan, Carles, and Oton, affecting individuals from infancy to old age.&#13;
&#13;
Dr. Maria Socorro Colmenares-Qui√±on, IPHO head, warned that dengue cases are expected to continue rising due to the region’s three-year dengue outbreak cycle.&#13;
&#13;
The IPHO urged residents to seek immediate medical attention if they experience dengue symptoms, including sudden high fever, severe headache, pain behind the eyes, joint and muscle pain, rash, and mild bleeding.&#13;
&#13;
To combat dengue, the public is encouraged to follow the 4S strategy:&#13;
&#13;
-Search and destroy mosquito breeding sites&#13;
&#13;
-Secure self-protection by wearing long sleeves and using insect repellent&#13;
&#13;
-Seek early consultation for symptoms like high fever, headache, and rashes&#13;
&#13;
-Support fogging in areas with high case numbers&#13;
&#13;
Quiñon assured that dengue patients can avail themselves of free consultations and treatment at all district and government hospitals in the province, as mandated by an executive order from Gov. Arthur Defensor Jr.&#13;
&#13;
Additionally, PhilHealth covers up to PHP19,500 for dengue treatment and PHP47,000 for severe cases.&#13;
&#13;
“Let’s not wait for the situation to worsen. We need to act now to prevent more people from falling victim to this deadly disease,” Quiñon said.</text>
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              <text>Oladive, M. A. (2025, February 24). Iloilo provincial backs 'alas kwatro kontra mosquito'. Daily Guardian, 2. </text>
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                <text>Amid a surge in dengue cases, the Iloilo Provincial Health Office (IPHO) is urging the public to support the Department of Health's (DOH) nationwide “Alas Kwatro Kontra Mosquito” campaign, which promotes eliminating mosquito breeding sites every Monday at 4 p.m.</text>
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                <text>Oladive, Mariela Angela</text>
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                <text>&lt;a href="https://dailyguardian.com.ph/iloilo-province-backs-alas-kwatro-kontra-mosquito/"&gt;Daily Guardian&lt;/a&gt;</text>
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              <text>Embark on a gastronomic journey through Iloilo’s finest flavors as the highly anticipated NAMIT! Festival kicks off today, April 22, marking its fourth year of celebrating the region’s vibrant culinary scene.&#13;
&#13;
The event is in line with Presidential Proclamation No. 469 from 2018, which designates April as Filipino Food Month, a time to appreciate and preserve the nation’s rich culinary heritage.&#13;
&#13;
Running until April 24, the three-day food extravaganza is set to delight food enthusiasts and cultural aficionados alike, staying true to its name, “Namit”, which derived from the Hiligaynon term “manamit” or “kanamit,” meaning “delicious”.&#13;
&#13;
The event takes place at SM City Iloilo North Point wing fronting Pan de Manila.&#13;
&#13;
Launched by the Iloilo Provincial Government through the Provincial Culture, Arts, History, and Tourism Office in collaboration with the Department of Tourism Region VI and SM City Iloilo, the annual event is an invitation for food lovers to explore the unique aromas and flavors of the province’s diverse regional traditions.&#13;
&#13;
The initiative aligns with a broader trend in food tourism, attracting travelers who seek not only historical and natural attractions but also the distinct gastronomic experiences that the province has to offer.&#13;
&#13;
This year’s festival features traditional dishes and native culinary practices from various towns across Iloilo, offering attendees an opportunity to savor its authentic flavors.&#13;
&#13;
The festivities’ lineup begins with culinary delights from Balasan, starting at 1:30 p.m. on its first day, featuring Ginat-an nga Palaypay, Tambalang nga Dahon sang Abalong, and Adobo nga Puyoy.&#13;
&#13;
On Day 2, April 23, the festival will present Linabugan nga Bisaya nga Manok at 11:30 a.m., with Pako-Pako Salad and Sinapid nga Mais from Calinog following at 1:30 p.m.&#13;
&#13;
The final day will highlight Tinagbakan nga Bisaya nga Manok from Lambunao, and a cooking contest featuring Apan-Apan and Turon at 1:30 p.m.&#13;
&#13;
In addition to these dishes, festival-goers can also enjoy daily food demonstrations, cooking contests, and interactive sessions.&#13;
&#13;
Beyond its culinary offerings, NAMIT! Festival also serves as a platform for preserving and promoting Iloilo’s cultural heritage. It seeks to foster a deeper appreciation for the region’s rich cultural tapestry and the values that define Ilonggo identity.</text>
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&lt;div class="csl-entry"&gt;Oladive, M.A. (2024, April 21). NAMIT! Festival returns for its 4th year. &lt;i&gt;Daily Guardian&lt;/i&gt;. https://dailyguardian.com.ph/namit-festival-returns-for-its-4th-year/&lt;/div&gt;
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                <text>Embark on a gastronomic journey through Iloilo’s finest flavors as the highly anticipated NAMIT! Festival kicks off today, April 22, marking its fourth year of celebrating the region’s vibrant culinary scene.</text>
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              <text>The Iloilo provincial government, led by Governor Arthur Defensor Jr., ceremoniously turned over a P1 million cash prize to the local government unit of Santa Barbara, headed by Mayor Dennis Superficial, on June 24.&#13;
&#13;
The recognition came after the “Cry of Santa Barbara” float was declared the grand champion at the Parada ng Kalayaan 2024 held on June 12 at Rizal Park, Manila.&#13;
&#13;
The event featured the illumination of the float, now displayed at the Capitol lobby, and a performance by Tribu Kahilwayan, who reenacted their dance-drama presentation from the flag-raising ceremony.&#13;
&#13;
Certificates of recognition were also awarded to individuals who contributed to the float’s success.&#13;
&#13;
Governor Arthur Defensor Jr. highlighted the importance of the achievement in placing the province prominently on the national map of cultural celebration, further underscoring the economic prospects following it.&#13;
&#13;
“Winning the grand prize at the Parada ng Kalayaan has brought Iloilo into the spotlight of this historic event, showcasing our profound cultural heritage to the entire nation,” he said.&#13;
&#13;
The governor emphasized that this recognition will serve as a catalyst for economic growth in the region, projecting increased business activity that will eventually lead to the creation of livelihood opportunities for residents.&#13;
&#13;
Looking forward, he pledged continued support for initiatives aimed at boosting tourism, particularly those centered around Iloilo’s rich history and cultural heritage.&#13;
&#13;
He affirmed his commitment to preserving and promoting these assets, ensuring that Iloilo remains a vibrant destination for tourists and a source of pride for its residents.&#13;
&#13;
In a separate interview, Mayor Superficial stated that the prize money would be used to enhance the town’s cultural heritage, specifically to improve the local church, a significant historical landmark in the municipality.&#13;
&#13;
“Hopefully, we can improve it [the church]. There are still certain areas that can be utilized and developed,” he said.&#13;
&#13;
The “Cry of Santa Barbara” float bested nine other entries from various provinces during the Parada ng Kalayaan, celebrating the 126th Philippine Independence Day. Its intricate design was a product of collaborative effort, highly praised for showcasing the rich history and heritage of the province.&#13;
&#13;
The province invested a total of P2 million in the creation of the float. The financial breakdown previously presented by Defensor detailed the expenses as follows:&#13;
&#13;
– P867,755 for the delivery of supplies and materials&#13;
&#13;
– P800,922 for fabrication and installation, including carpentry, logos, signage, artwork, and electrical components&#13;
&#13;
– P143,463.92 for equipment rental for transporting the float&#13;
&#13;
– P270,000 for dismantling the float post-event&#13;
&#13;
The float will be turned over to the municipality of Santa Barbara.</text>
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                <text>The Iloilo provincial government, led by Governor Arthur Defensor Jr., ceremoniously turned over a P1 million cash prize to the local government unit of Santa Barbara, headed by Mayor Dennis Superficial, on June 24.</text>
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              <text>The UPV Museum of Art and Cultural Heritage (MACH) proudly unveiled a significant expansion of its Duna Intangible Cultural Heritage Gallery with the generous contribution of artifacts by Ilonggo businessman Mario Yang on June 20.&#13;
&#13;
Chancellor Clement Camposano and Yang signed the deed of donation at the museum’s conference room on the same day as the unveiling.&#13;
&#13;
Camposano expressed gratitude for Yang’s continued support, emphasizing the pivotal role such contributions play in enriching UPV’s cultural legacy.&#13;
&#13;
“This is something that we are deeply dedicated to pursuing to make the UPV campus a culture and heritage hub. The support of people like Mr. Yang significantly amplifies what the UPV Museum has achieved in two years,” Chancellor Camposano remarked during the ceremony held at the museum.&#13;
&#13;
Mr. Yang, renowned for his passion for art and cultural artifacts, presented a collection that included pre-Spanish relics. He expressed his commitment to preserving Iloilo’s legacy through these invaluable pieces.&#13;
&#13;
The donated artifacts comprise funerary earthenware unearthed from Isla de Gigante Norte in the 1990s, alongside ornaments crafted from shells, glass, and gold. According to archaeologists, Gigantes pottery, including small jars, pots, and offering plates, dates from 500 BCE to 1000 CE and served as grave goods in the local ritual known as “pabalon sa patay,” honoring the departed.&#13;
&#13;
Colorful glass beads excavated from various regional sites spread throughout the archipelago via trade and cultural exchanges with Asia and the Middle East.&#13;
&#13;
Additionally, earrings, bracelets, and shell discs, some of the oldest locally produced adornments dating back to around 2000 BCE, highlight early craftsmanship in the region.&#13;
&#13;
These artifacts will find a permanent home in the Duna Intangible Cultural Heritage Gallery, one of seven exhibition spaces at MACH dedicated to showcasing local traditions and practices through representative artifacts and multimedia presentations.&#13;
&#13;
Director of the Office of Initiatives in Culture and the Arts (OICA), Prof. Martin Genodepa, lauded Mr. Yang’s philanthropic efforts, noting that this was his second significant donation to MACH following a previous contribution in 2022.&#13;
&#13;
The earlier donation featured textiles and traditional clothing items now displayed in the Panapton Textile Gallery.&#13;
&#13;
The unveiling ceremony drew attention not only to the historical significance of the artifacts but also to the collaborative efforts between private benefactors and academic institutions in preserving cultural heritage.&#13;
&#13;
UPV MACH is open from Monday to Friday, 8:30 a.m. to 4:30 p.m., with free admission.</text>
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              <text>The Iloilo provincial government has announced the opening of applications for the Iskolar sang Iloilo Program (ISIP) for the academic year 2024-2025.&#13;
&#13;
The scholarship aims to provide financial assistance to incoming first-year college students who are bona fide residents of Iloilo and meet specific academic and financial criteria.&#13;
&#13;
To qualify, applicants must have a Senior High School General Weighted Average (GWA) of 90 percent or higher and possess good moral standing. The annual gross family income should not exceed P180,000.&#13;
&#13;
Additionally, applicants must plan to enroll in any of the following state universities and colleges within Iloilo: University of the Philippines Visayas, West Visayas State University, Iloilo Science and Technology University (ISAT-U), Iloilo State University of Fisheries Science and Technology (ISUFST), Northern Iloilo State University (NISU), or Passi City College.&#13;
&#13;
A total of 125 scholars will be selected, with an allocation of 25 per district.&#13;
&#13;
Each chosen scholar will receive a monthly stipend of P3,500, learning resource assistance of P3,000 per semester, an on-the-job training allowance of P20 per hour, and a thesis/research assistance of P5,000 for graduating students.&#13;
&#13;
Moreover, cash incentives are available for graduates: P1,000 for graduates, P7,000 for Summa Cum Laude, P5,000 for Magna Cum Laude, and P3,000 for Cum Laude honorees.&#13;
&#13;
The deadline for submission of applications is set for July 26, 2024. Interested applicants are encouraged to prepare their documents and apply early.&#13;
&#13;
How to apply?&#13;
&#13;
Online Application:&#13;
&#13;
– Fill out the application form online via the provided Google Form or scan the QR code available in the official announcement.&#13;
&#13;
– Upload the following documents:&#13;
&#13;
– Senior High School Form 138&#13;
&#13;
– Proof of Income (Indigency Certificate, Income Tax Return, or Certificate of Tax Exemption)&#13;
&#13;
– Certificate of Residency issued by the Barangay Captain&#13;
&#13;
– Copy of Valid ID (High School ID with picture and signature)&#13;
&#13;
Walk-in Application:&#13;
&#13;
– Submit a properly filled out application form along with the required documents to:&#13;
&#13;
The Secretariat, Iskolar sang Iloilo Program&#13;
&#13;
Human Resource Management and Development Office&#13;
&#13;
3rd Floor, Iloilo Provincial Capitol&#13;
&#13;
Tel. No.: 328-7961&#13;
&#13;
For more information, applicants can visit the official website of the Iloilo provincial government or contact the ISIP office directly.</text>
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              <text>Highlighting the “tahum” or the inherent beauty of Western Visayan Films, the University of the Philippines Visayas (UPV) officially launched “CineMatahum 2023” on November 14 at the UPV Cinematheque in Iloilo City.&#13;
&#13;
“CineMatahum 2023” is a five-day event dedicated to showcasing the masterpieces of esteemed local filmmakers alongside emerging talents from the region.&#13;
&#13;
The cinematic celebration brings together a carefully curated selection of films from Guimbal, Miagao, and Aklan, as well as student films from various universities, weaving together the rich and beautiful narratives of Western Visayas.&#13;
&#13;
Among the feature films is the full-length lone Ilonggo entry for the Cinemalaya Film Festival 2023, titled “Bulawan nga Usa,” directed by Ilonggo writer-director Kenneth De La Cruz. The film narrates the compelling story of a man embarking on a mystical journey into a mountain in search of the legendary golden deer.&#13;
&#13;
The festival’s opening program commenced with an omnibus trailer, followed by a warm welcome from Prof. Jude Vincent Parcon, UPV Division of Humanities chairperson.&#13;
&#13;
Prof. Parcon emphasized the festival’s significance in showcasing the beautiful narratives and artistic expressions of the region, stating: “Ito ang magsisilbing platorma upang ating masaksihan ang tahum ng isang Ilonggo. Ang tahum na hinubog at nilinang ng iba’t ibang istorya nating mga Ilonggo.”&#13;
&#13;
The festival program includes a series of film talks by distinguished figures Prof. Sari Dalena, Director EJ Salcedo, and Director Arjanmar Rebeta. Attendees will also have the opportunity to interact with the directors whose films grace the festival’s lineup during a talkback session.&#13;
&#13;
The first film talk session features Prof. Sari Dalena of UP Film Institute, where she shared insightful perspectives on Philippine Cinema, focusing on the importance of finding roots on personal, regional, and universal levels, drawing from her own significant experiences as a filmmaker.&#13;
&#13;
The films can be viewed by the following sets with tickets starting from only PHP 50.00.&#13;
&#13;
Set A: Bulawan nga Usa by Kenneth De la Cruz&#13;
&#13;
Set B: Guimbal Filmmakers&#13;
&#13;
Sa Dalipi Aru-on by Edgar Joseph Derecho&#13;
Balhin by Gian Niño Genoveza&#13;
Patay-Buhi by Melencio Gomilla&#13;
Ginpanggas nga Luha&#13;
Ang Bistida Ni Ana Sa Mata Nga Pula by Daniel de la Cruz&#13;
Set C: Miagao Filmmakers&#13;
&#13;
Urimos by Joseph Cartago, Jr.&#13;
Tihin by Nikola T. Solinap&#13;
DeCoy by David JohnsoncAlisbo&#13;
Eroplano nga Papel by Warren Salazar Sucaldito&#13;
Set D: UPV Filmmaker&#13;
&#13;
Itom nga Bugas, Kanaryo nga Ugat by Leonard Billones&#13;
Ang Babayi sa Suba by Jonathan Jurilla&#13;
Ang Bunga sa Tiyan ni Adam by Ella Louise B.Salomon&#13;
JayR Moleño&#13;
Dog Eaters by Kevin Piamonte&#13;
“CineMatahum 2023” promises to cinematic treat, not only celebrating the visual richness of Western Visayan Films but also providing a platform for filmmakers and storytellers to share their beautiful narrative. It is set to further enrich the cultural tapestry of Western Visayas while fostering a deeper appreciation for the art of filmmaking.&#13;
&#13;
For more details and information about the festival schedule, visit the CineMatahum 2023 Facebook page.&#13;
&#13;
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              <text>November in the Philippines marks a special season of the year.&#13;
&#13;
Apart from celebrating All Saints Day and commemorating our departed loved ones during All Souls Day, it is also the time when the family gathers together, don costumes for Halloween parties, and share spooky tales, with Philippine mythical creatures like aswang are in the spotlight again.&#13;
&#13;
Aligning with the recently concluded Barangay and SK elections last October 30, let us shed light on the famous teniente del barrio (equivalent to barangay captain today) in the town of Dueñas, called Teniente Gimo who was rumored to belong to a clan of aswang.&#13;
&#13;
It is a common experience for Dueñasanons like me that merely mentioning the hometown often leads to a familiar set of questions: “Kilala mo si Teniente Gimo?” (Do you know Teniente Gimo?), “Ano mo si Teniente Gimo?” (Are you related to Teniente Gimo?), “Tuod gid man nga duro it aswang sa Dueñas?” (Is it true that there are a lot of aswang in Dueñas?) and sometimes, it would even be a blatant association with being an aswang.&#13;
&#13;
The town and its people, for a long time, have been associated with the legendary figure of Teniente Gimo and the tales surrounding him.&#13;
&#13;
But who is Teniente Gimo beyond the popular aswang lore?&#13;
&#13;
Guillermo “Gimo” Labang was a successful figure in Dueñas. He was initially a native of Batad, Iloilo, but because he is ambitious and enterprising, he moved his family to a sitio near Dueñas according to the book Builders of Dueñas (1989) by local historian Ramon Lagos, Sr., which can be accessed at Museo de Iloilo.&#13;
&#13;
Gimo cultivated a wide area of agriculture in Sitio Pandan, which became his huge property, for it extended up to the Ulian River.&#13;
&#13;
Because he was too thrifty, he shoved society- people then called him aswang. He became Barrio Lieutenant and was later appointed Teniente Mayor (Vice Mayor). He had been Cabeza de Barangay for several years, and he died during World War II.&#13;
&#13;
In another book, History of Dueñas, Facts, and Folklores (2021) by Susan Laboriante Pacheo, Dueñas tourism officer, which can also be accessed at Museo de Iloilo, described Teniente Guillermo “Gimo” Labang as a hero rather than a mythical villain.&#13;
&#13;
He served as a Teniente del Barrio in Luyan (formerly Aranghilan) and was associated with resistance against both American and Spanish forces. His branding as an aswang is seen as a phenomenon called cryptozoology and part of a psych-war waged by the Spaniards.&#13;
&#13;
The book also cited an account by Guillermo Gómez Rivera, a Laureled Prince of Ylongo (Ilonggo) Poetry, suggesting that Teniente Gimo’s name was Guillermo Guillerán y Dumalogdog. He was part of the Ylongo resistance under Spain against the looming US invasion, and the resistance was Batallón de Voluntarios Ylongos.&#13;
&#13;
When the Americans came, the resistance was halted, but soon enough, Teniente fought against the Japanese invasion. His name was associated with the assassinations of the Japanese. Rivera claimed that Teniente Gimo’s feat is part of the Ylongo-Panayano identity. (Ibid.)&#13;
&#13;
ASWANG MYTH&#13;
&#13;
Looking closely at these narratives, a rumor of him being an aswang may have been propagated to silence him, echoing a phenomenon seen in Philippine history where figures like the Babaylans were branded as witches or heretics to suppress their influence.&#13;
&#13;
In addition, various sources suggested that Teniente Gimo was believed to have two real names, as cited by Jordan Clark (2017) in his article Teniente Gimo, Aswang: Crippling Superstition or Brilliant Tactic? &#13;
&#13;
Clark is a filmmaker and researcher who founded The Aswang Project, an educational resource about the diverse folklore of the Philippines. In his article, he referred to the documentation of Dr. Maximo Ramos’ 1971 study, The Aswang Complex in Philippine Folklore. Maximo Ramos is the Dean of Philippine Lower Mythology who authored best-selling books about Philippine folktales and Mythology.&#13;
&#13;
The first is Guillermo Guillerán Gavira, believed to have lived during the transition from Spanish to American control at the turn of the 20th century. He was a volunteer during the Spanish regime and later resisted American occupation. It was rumored that he used his daughter to lure American teachers, whom he allegedly murdered and consumed. Historical evidence of these events was reported in several US publications on April 27, 1905, regarding the murders of four American school teachers near Cebu.&#13;
&#13;
The second is similar to the name above, Guillermo Labang, a wealthy landowner who lived in the region during the Commonwealth era of the Philippines (1935 to 1946). Rumors circulated that a child was found dead on his land with innards strewn across the fields, and he was accused of committing the killings because he was an aswang or flesh eating ghoul.&#13;
&#13;
During this period, tenant farmers faced challenges rooted in debt from the sharecropping system and a dramatic increase in population, leading to economic pressures on their families. The Commonwealth initiated an agrarian reform program, but ongoing conflicts between tenants and landowners hindered its success.&#13;
&#13;
Clark argues that the stories of Teniente Gimo are more connected to the actual murders of American teachers in Cebu in 1905 than to a specific individual.&#13;
&#13;
The discussed accounts, in one way or another, converge to paint a more complex picture of Teniente Gimo, moving away from the aswang myth.&#13;
&#13;
However, the myth that Teniente Gimo was aswang has spread all over the country. Aswang are commonly described as flesh-eating ghouls or shape-shifting monsters. They can change from human to animal forms like a black dog, bat, bird, pig, or cat.&#13;
&#13;
The stories surrounding Teniente Gimo as aswang gained prominence in the 1950s. While there are many versions of this legend, one of the most popular plots involves a dark twist.&#13;
&#13;
Teniente Gimo, a Cabeza del Barrio (equivalent to a barangay captain today), was rumored to belong to a clan of aswang. The tale goes that during a town fiesta, Gimo mistakenly killed his daughter instead of her daughter’s classmate.&#13;
&#13;
The narrative, as told by locals like my late grandfather, paints an eerie picture of Teniente Gimo’s daughter arriving home with a female classmate. The classmate stayed until the evening and slept in the house of Teniente Gimo beside his daughter.&#13;
&#13;
In the middle of the night, the classmate woke up because of the noise outside. When she went out to find where the noise was coming from, she saw a kawa, or huge cauldron of boiling water, surrounded by Teniente Gimo and his men.&#13;
&#13;
She discovered their sinister plan of killing her. Upon hearing it, she returned to the room, and in a desperate act, she cleverly switched the watch to Gimo’s daughter, who tragically became the unintended victim.&#13;
&#13;
It was too late when Teniente Gimo discovered it was her daughter while the classmate had successfully fled the barrio.&#13;
&#13;
After the incident, the real identity of Teniente Gimo as an aswang was revealed to the public. On one account, it was believed that he was even paraded through the whole town, announcing that he was an aswang.&#13;
&#13;
Since then, Teniente Gimo’s life has been controversial and subject to many speculations and theories – not only by its townsfolk but also by outlanders who have heard his name. While other versions also circulated around, like instead of a watch, it was instead a necklace.&#13;
&#13;
MODERN MYTH-SHARING&#13;
&#13;
The legend of Teniente Gimo has transcended oral tradition and found its way into various media outlets, including radio dramas, films, and television shows. It was notably featured in “Shake, Rattle &amp; Roll” in 1990 and, more recently, in a 2018 episode of “Rated K,” which received criticism for its problematic portrayal.&#13;
&#13;
Most of these representations often only focus on the aswang aspect of the story, perpetuating existing beliefs and painting Dueñas as a place plagued by supernatural threats. Such presentations risk oversimplifying the narrative, reducing it to mere entertainment, and reinforcing stereotypes.&#13;
&#13;
Meanwhile, tracing the historical context of Teniente Gimo can be challenging, given the sensitivity of the topic and the difficulty of finding published documents and reliable sources that can be interviewed due to the story being in a distant past.&#13;
&#13;
When the Daily Guardian tried to reach out to the tourism office, the tourism office declined to comment on the narrative for several reasons.&#13;
&#13;
According to the tourism officer, they cannot promote narratives associated with darkness and monstrosity during sacred occasions, such as the Saints’ celebration and offerings to departed souls. Their role is to promote the town based on its positive attributes, including Teniente Gimo’s reputation as a local hero.&#13;
&#13;
They are concerned that a negative portrayal could deter tourists and harm the town’s economic sector. The tourism officer emphasizes the importance of maintaining a positive image to attract visitors and promote Dueñas in a favorable light.&#13;
&#13;
Notably, last 2018, the lore of Teniente Gimo was aired as one of the Halloween special episodes of Rated K, a show hosted by Korina Sanchez on ABS-CBN. While the eerie episode aimed to give goosebumps, it has received a series of criticisms from its viewers, especially from Dueñasanons, because of its problematic representation.&#13;
&#13;
On a Facebook post, Jessie, a Dueñasanon, called out the show and tagged the episode as bullying. His post went viral as it gained hundreds of comments and thousands of reactions and shares: https://www.facebook.com/photo/?fbid=10217030930266351&amp;set=a.3635336682956.&#13;
&#13;
The video of the Rated K episode can still be accessed on YouTube through this link: https://youtu.be/whsRt8YJgIw.&#13;
&#13;
“Many people of the town from different professions and different walks of life work altogether to give Dueñas the kind of respect and image they deserve. Your ill-researched, one-sided story, for rating, definitely crossed the line. I am not sure if you had consulted our LGU Dueñas or the Sangguniang Bayan LGU Dueñas or other duly mandated offices before you aired your episode,” he said in a Facebook post dated 29 October 2018.&#13;
&#13;
As he pointed out, the episode lacked in-depth research about the topic. There is no communication between the researcher of the episode and the respective agency from the municipality.&#13;
&#13;
The problem with the representation of the mainstream narrative of this lore is that it compromises the other side, particularly the historical context of who Teniente Gimo is.&#13;
&#13;
MISREPRESENTED&#13;
&#13;
Teniente Gimo is misrepresented in the name of entertainment and is reduced to a Halloween special. Based on the frequently asked question among Dueñasanon about Teniente Gimo, there is this impression that Teniente Gimo is already an attachment to the identity of people coming from Dueñas, Iloilo. Thus, the misrepresentation of Teniente Gimo’s identity is also a misrepresentation of the Dueñasanon’s identity.&#13;
&#13;
Teniente Gimo’s narrative is an integral part of the intangible cultural heritage of Dueñas. In an age of rampant myth-making, the fragility of oral lore is also put in further danger. Its accuracy, therefore, should be checked and rechecked across platforms that have tackled this.&#13;
&#13;
As a cultural heritage, it must not be only defined by its entertainment value but also must take into account its historical and cultural significance.&#13;
&#13;
In an attempt to gain further insight, Daily Guardian tried to visit the place, as pointed out by the natives, known to be the place where Teniente Gimo’s grandchildren live.&#13;
&#13;
However, upon reaching the place, even though the residents that Daily Guardian had spoken to claimed relation to Teniente Gimo, their knowledge of him was limited to hearsay. According to them, the Teniente was not an aswang but a prominent town leader in the barrio, who fell victim to, as the resident termed it, “hisa,” a local word denoting envy, jealousy, or ill-malice in English.&#13;
&#13;
This shift in perspective casts Teniente Gimo as an important political figure. It prompts us to view his narrative not just through the lens of Halloween folklore but as a reflection on the recently concluded election.&#13;
&#13;
Various accounts about him underscore how envy and jealousy have become deeply entrenched in our political and cultural landscape, often damaging one’s reputation for ulterior motives. This scenario echoes broader issues within Philippine politics and culture, where smear campaigns and the tarnishing of individuals’ names for personal gain are sadly not uncommon.</text>
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                <text>November in the Philippines marks a special season of the year. Apart from celebrating All Saints Day and commemorating our departed loved ones during All Souls Day, it is also the time when the family gathers together, don costumes for Halloween parties, and share spooky tales, with Philippine mythical creatures like aswang are in the spotlight again.&#13;
&#13;
Aligning with the recently concluded Barangay and SK elections last October 30, let us shed light on the famous teniente del barrio (equivalent to barangay captain today) in the town of Dueñas, called Teniente Gimo who was rumored to belong to a clan of aswang.</text>
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                <text>&lt;a href="https://dailyguardian.com.ph/teniente-gimo-beyond-the-aswang-lore/" target="_blank" rel="noreferrer noopener"&gt;Daily Guardian&lt;/a&gt;</text>
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              <text>The concreting of the 1.1-kilometer Madarag-Iprog Junction National Road in the municipality of San Enrique, Iloilo, is set to benefit 1,003 households from Iprog, Madarag, and the barangays of Agtabo, Dalicanan, and Gemumua-Agahon in Passi City.&#13;
&#13;
The project has an allocated budget of P16.7 million, funded by the Iloilo provincial government.&#13;
&#13;
Spearheaded by Fourth District Board Member Rolando Distura, representing Governor Arthur Defensor, Jr., the inauguration of the project took place on July 5.&#13;
&#13;
Also present were Mayor Rosario Mediatrix “Trixie” Fernandez, Provincial Engineer Romeo Andig, Uswag Partylist Congressman Jojo Ang, Iloilo Police Provincial Office Director Bayani Razalan, and Mayor Luigi Gorriceta of Pavia.&#13;
&#13;
The new road network links the municipality of San Enrique to Passi City, promising enhanced and safer travel for residents.&#13;
&#13;
Mayor Fernandez expressed her gratitude to Gov. Defensor for the project, highlighting its significance for San Enrique. “This is one of the biggest projects received by San Enrique from the provincial government,” Fernandez said.&#13;
&#13;
The project not only improves local transportation but also opens up opportunities for enhanced trade and easier transport of agricultural produce to the market.&#13;
&#13;
“This is a big milestone and support of the provincial government to the municipality,” Fernandez added.&#13;
&#13;
A budget of P38 million has been allotted for the second phase of the project, which includes the concreting of an additional 900-meter road connecting Iprog to the national highway.</text>
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              <text>Thrive Art Gallery invited visitors to explore the depths of the subconscious with the opening of its latest exhibits, “Hamuok” by Roland Llarena and “Nocturne” by Kristoffer Brasileño, on June 22.&#13;
&#13;
The two exhibits showcased a dreamlike space where reality and dreams converged, offering a vivid exploration of the human psyche through the lens of two Ilonggo artists.&#13;
&#13;
Hamúok: The Deep Slumber of Roland Llarena&#13;
&#13;
Roland Llarena, a full-time artist based in Molo, Iloilo City, brought a unique perspective with “Hamúok,” a term from the Hiligaynon language meaning “deep slumber.”&#13;
&#13;
Llarena’s work meticulously visualized the intersection between waking reality and the subconscious, inspired by the constant bombardment of news about war, environmental destruction, and societal anxieties. His exhibition documented how these external stimuli bled into his subconscious, resulting in unexpected and evocative forms.&#13;
&#13;
“Hamúok [My artworks] is about myself and what I usually see in the news,” Llarena explained. “Hamúok represents my positive and negative experiences that sometimes appear in my dreams, waking me up. Every day, I visualize and draw these visions, capturing the impact they have on me.”&#13;
&#13;
Llarena’s pieces blended the abstract and the tangible, incorporating diverse mediums to express his ideas. His work included familiar images reimagined through unconventional material like his work titled “slipper game,” which were slippers crafted from stainless sheets, metals, and automotive paint in varying sizes. Another interesting piece was “Burador ni Juan,” a kite installation made from the same materials as the slippers.&#13;
&#13;
Intriguingly, these pieces were arranged in a manner that made the kite look like a plane, while the metal slippers, pierced with rods, circled around a large cone-shaped structure. This configuration evoked a powerful visual narrative, which some might interpret as a commentary on ongoing conflicts, such as the war in Israel.&#13;
&#13;
On the other hand, it might simply be an allusion to the childhood memory or dream of flying a kite. Through his innovative use of materials and thought-provoking arrangements, Llarena challenged viewers to explore deeper meanings and personal interpretations within his work along with his dreamlike abstract patterns on canvas.&#13;
&#13;
With a background in architecture, Llarena’s earlier works reflected his meticulous attention to detail. He had been recognized with a special citation during the 2018 Metrobank Art and Design Excellence Award and participated in the Linangan Art Residency in 2021.&#13;
&#13;
His exhibitions in Iloilo and Manila had solidified his reputation as a dynamic and introspective artist.&#13;
&#13;
Nocturne: The Dreamscapes of Kristoffer Brasileño&#13;
&#13;
Parallel to “Hamúok,” Kristoffer Brasileño’s “Nocturne” invited audiences to traverse the ethereal landscapes of dreams.&#13;
&#13;
Drawing inspiration from Surrealism, Brasileño’s work blurred the boundaries between imagination and reality. His dreamscapes were filled with symbolic elements and muses veiled in fabrics, set against enigmatic backdrops that reflected the wilderness of the unconscious mind.&#13;
&#13;
Brasileño, a painter and university instructor at the Digital Media and Interactive Arts Program of Central Philippine University, combined traditional and digital media to create realistic and representational paintings. He explained that “Nocturne” related to themes such as dreams, fantasy, surrealism, figures, and more highlighting the core of his artistic exploration.&#13;
&#13;
His work delved into cultural identities, with most of his portraits showcasing women from various races. With residences in Thailand (2017, 2023), Vietnam (2019), and South Korea (2023), Brasileño brought a global perspective to his art.&#13;
&#13;
“Nocturne” marked his third solo exhibition, spanning various phases of his artistic journey, from early sketches and studies during his gap year after nursing school to his fine arts education at the University of San Agustin, culminating in his latest works.&#13;
&#13;
“Hamuok” and “Nocturne” presented a compelling dialogue between two distinct yet interconnected visions of the subconscious. Llarena’s introspective journey through personal and societal anxieties contrasted with Brasileño’s exploration of dreamlike fantasy, creating a rich tapestry of thought-provoking art.&#13;
&#13;
Thrive Art Gallery, an experimental art space at The Shops at Atria, Ayala Malls in Iloilo City, hosted the exhibitions. The gallery is open Tuesday to Friday from 3 PM to 8 PM,</text>
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                <text>Thrive Art Gallery invited visitors to explore the depths of the subconscious with the opening of its latest exhibits, “Hamuok” by Roland Llarena and “Nocturne” by Kristoffer Brasileño, on June 22.</text>
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              <text>Calle Real Nears UNESCO World Heritage Listing&#13;
March 15, 2024.&#13;
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Calle Real or JM Basa Street inches closer to the UNESCO World Heritage Listing. (Google Street View grab)&#13;
By Mariela Angella Oladive&#13;
&#13;
Iloilo City’s historic district, Calle Real, is on the cusp of becoming the ‘first of its kind’ to enter the UNESCO World Heritage List, as announced by the United Nations Educational, Scientific and Cultural Organization (UNESCO) Philippines.&#13;
&#13;
“I am very happy. We might be the first city with a Calle Real identified in the UNESCO World Heritage List,” Mayor Jerry P. Treñas said upon the announcement.&#13;
&#13;
Calle Real, Spanish for “royal street,” showcases the city’s erstwhile prosperity through its array of historic and opulent structures.&#13;
&#13;
The street was renamed “J.M. Basa” in tribute to the distinguished Jose Maria Basa, an entrepreneur and compatriot of the Philippine national hero Jose Rizal.&#13;
&#13;
Declared a district and heritage zone by the National Historical Commission in 2014, Calle Real is part of a larger cultural tapestry titled “The Sugar Cultural Landscape of Negros and Panay Islands.”&#13;
&#13;
The proposal, encompassing seven key locations, captures the historical essence of the sugar industry, dating back to the 18th century.&#13;
&#13;
This legacy is evidenced by mills, factories, plantations, and mansions, narrating the socio-economic evolution during the Spanish-colonial and American-colonial periods, as detailed on the UNESCO World Heritage Convention website.&#13;
&#13;
This significant step toward global recognition was initiated by the Department of Tourism’s proposal for the Western Visayas Sugar Heritage Trail, aiming to acknowledge the region’s pivotal influence in the sugar trade, preserve its industrial legacy, and promote heritage tourism.&#13;
&#13;
The trail comprises 127 identified sites, spanning across Negros Occidental, Iloilo, Guimaras, Capiz, and Antique.&#13;
&#13;
Mayor Treñas underscored the profound history of the sugar industry, first flourishing in Iloilo and then migrating to Negros, due to the availability of extensive agricultural land.&#13;
&#13;
Treñas emphasized the importance of acknowledging the city’s storied past.</text>
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              <text>Oladive, M. A. (2024, March 15). Calle Real Nears UNESCO World Heritage Listing. Daily Guardian, 1 &amp;11.</text>
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