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              <text>ISUFST first school in WV to adopt 4-day workweek&#13;
By Panay News -Saturday, January 31, 2026&#13;
Photo courtesy of Iloilo State University of Fisheries Science and Technology&#13;
Photo courtesy of Iloilo State University of Fisheries Science and Technology&#13;
ILOILO — The Iloilo State University of Fisheries Science and Technology (ISUFST) has officially adopted a four-day compressed workweek (CWW) for the entire second semester of Academic Year 2025–2026, marking the first university in Western Visayas to implement the scheme under approved internal guidelines aligned with civil service regulations.&#13;
&#13;
The policy, which will take effect on February 2, was formally announced on January 28 by ISUFST president Dr. Nordy D. Siason Jr. during a university-wide assembly at the Main Campus–Poblacion Site.&#13;
&#13;
Faculty members, staff, students, and university officials attended the briefing, which also laid out the implementing guidelines and evaluation mechanisms for the semester-long rollout.&#13;
&#13;
The four-day workweek was earlier approved by the ISUFST Board of Regents during its first-quarter 2026 meeting at the Commission on Higher Education (CHED) Central Office in Quezon City on January 26, following weeks of internal consultations and an institutional survey that helped shape the proposal.&#13;
&#13;
Under the approved guidelines, the CWW maintains the mandatory 40-hour workweek prescribed by civil service laws, but redistributes work hours across four longer days to enhance efficiency, morale, and work–life balance.&#13;
&#13;
“The compressed workweek is a management option — not a privilege — that allows us to work smarter and healthier, while protecting service delivery,” Siason said. “It will be closely monitored and may be modified or suspended if it affects academic operations or public access to services.”&#13;
&#13;
University officials said the policy also aims to generate cost savings, particularly through reduced utility consumption, while promoting employee wellness and sustained productivity.&#13;
&#13;
The new arrangement applies to all ISUFST campuses and offices, covering administrative, academic support, and auxiliary units, and includes permanent, temporary, and casual personnel unless specific duties require alternative schedules, subject to presidential approval. However, personnel assigned to university-run farms, fishponds, agricultural stations, and other field-based facilities will continue under existing work schedules more suited to on-site operations.&#13;
&#13;
Under the CWW setup, employees will work from Monday to Thursday, with duty hours and classes scheduled from 7 a.m. to 6 p.m., inclusive of break periods. Fridays are designated as no-duty and no-class days, except when service exigencies require otherwise.&#13;
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Attendance and timekeeping rules remain in force, with one day of absence equivalent to 1.25 days under the 10-hour workday scheme.&#13;
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Overtime work or service rendered on Fridays or rest days will require prior written approval and may be compensated through overtime pay or Compensatory Overtime Credit (COC), in accordance with existing regulations.&#13;
&#13;
Offices providing frontline and academic services are required to implement work rotation or alternative arrangements to ensure uninterrupted public service.&#13;
&#13;
Vice President for Academic Affairs Dr. Stephen Raymund Jinon said academic processes — including internships, thesis and dissertation supervision, research, and extension activities — will be carefully adjusted to safeguard instructional quality.&#13;
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“The policy gives us flexibility, but it also demands discipline,” Jinon said. “Academic delivery remains non-negotiable, and student learning will not be compromised.”&#13;
&#13;
Vice President for Administration and Finance Dr. Jescel Bito-onon emphasized that the move balances employee welfare with fiscal responsibility and accountability.&#13;
&#13;
“This is a balanced approach,” Bito-onon said. “We are improving work conditions while ensuring accountability, performance standards, and responsible use of public resources.”&#13;
&#13;
The semester-long implementation will undergo continuous monitoring and periodic evaluation, with the Human Resource Management Office consolidating attendance records, employee feedback, and performance indicators. Administrative and finance units will track utility usage and potential savings, while heads of offices will regularly report on productivity and service delivery.&#13;
&#13;
University officials said the pilot implementation will guide future decisions on whether to continue, modify, or discontinue the arrangement, ensuring it supports both the university’s mission and public service obligations. (Herman Lagon)/PN&#13;
&#13;
&#13;
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              <text>Galigao, N. [ 2026, January 31 ]. ISUFST first school in WV to adopt 4-day workweek. Panay News, 3&amp;15.</text>
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                <text>ILOILO — The Iloilo State University of Fisheries Science and Technology (ISUFST) has officially adopted a four-day compressed workweek (CWW) for the entire second semester of Academic Year 2025–2026, marking the first university in Western Visayas to implement the scheme under approved internal guidelines aligned with civil service regulations.</text>
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              <text>The Candelaria Mystique: History, miracles, and faith converge in Jaro&#13;
By Neljoy N. Galigao -Monday, February 2, 2026&#13;
Devotees pause in silent prayer before the image of Nuestra Señora de la Candelaria at her outdoor niche in the Jaro Metropolitan Cathedral, offering petitions and thanksgiving in an intimate moment of faith. AJ PALCULLO/PN&#13;
Devotees pause in silent prayer before the image of Nuestra Señora de la Candelaria at her outdoor niche in the Jaro Metropolitan Cathedral, offering petitions and thanksgiving in an intimate moment of faith. AJ PALCULLO/PN&#13;
&#13;
ALONG the quiet, slow-moving waters of the Iloilo River emerged one of Western Visayas’ most enduring symbols of faith. Carved from stone, the image of Our Lady of Candelaria carries a presence far larger than her size, anchoring centuries of belief, whispered miracles, and a devotion that refuses to fade.&#13;
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Her story begins humbly. In the early years of Spanish rule, a fisherman — idling by the river on what is now the La Paz side near today’s Forbes Bridge — came upon a small (barely a foot tall) stone image while playing in the water. What seemed an ordinary find quickly became extraordinary: the image was impossibly heavy. Transporting her to Jaro proved to be a trial of strength and will, but the community pressed on, united by an instinctive certainty that the image belonged among them. That shared effort sparked a devotion that would define generations of Jareños.&#13;
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The Jaro Metropolitan Cathedral is filled to capacity as the faithful gather for Mass, bearing witness to the deep-rooted devotion to Nuestra Señora de la Candelaria that defines the spiritual heart of Jaro. AJ PALCULLO/PN&#13;
The Jaro Metropolitan Cathedral is filled to capacity as the faithful gather for Mass, bearing witness to the deep-rooted devotion to Nuestra Señora de la Candelaria that defines the spiritual heart of Jaro. AJ PALCULLO/PN&#13;
Mist, Moonlight, and Morning Silence&#13;
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Local lore places the image most vividly in the hours before dawn. Old accounts speak of a soft, mystical mist that would envelop her niche on the pediment of the Jaro Cathedral. In these quiet hours, witnesses claimed to glimpse a beautiful lady with flowing hair — believed to be the Virgin herself — tending to her child by an artesian well nearby. The well is long gone, replaced by a concrete gazebo, but the stories remain, passed down like heirlooms of faith.&#13;
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These tales — drawn from the Archdiocese of Jaro souvenir programs, historical archives, and old articles — form a living oral tradition. They are not merely stories told for wonder, but memories that shape how a community understands protection, hope, and grace.&#13;
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War, Prayer, and Protection&#13;
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Perdon candles flicker as devotees light their prayers at the Chapel of Candles of the Jaro Metropolitan Cathedral, an act of faith symbolizing hope, protection, and unwavering devotion to the Our Lady of Candles. AJ PALCULLO/PN&#13;
For many devotees, belief in the Candelaria was sealed not by legend but by lived experience. Jareña Candelaria Orleans recalls her uncle Cleto’s wartime account during World War II. As bombs fell near their air-raid shelter on Santa Isabel Street, panic gripped the families inside. Her mother cried out in Hiligaynon: “Mahal nga Birhen sang Candelaria, tabuni kami diri sa air-raid shelter!”&#13;
When the bombing ceased, every member of the family emerged unharmed. For them, survival was not coincidence — it was intervention.&#13;
&#13;
A Stranger at the Shop&#13;
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Another oft-repeated story blurs the line between the earthly and the divine. A well-known Chinese store owner in Jaro once encountered a strikingly beautiful woman who came to his shop asking for precious oil for her child. Something about her stirred recognition. Only later did he realize she bore an uncanny resemblance to the image of Our Lady of Candelaria.&#13;
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Moved by the encounter, he placed a large image of the Virgin inside his store — a quiet, personal act of gratitude.&#13;
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A Virgin Who ‘Feels’&#13;
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In the 1870s, as the new Jaro Cathedral neared completion, parishioners attempted to transfer the image from the old church. They failed — repeatedly. The statue would not budge from her niche. The people concluded that the Virgin herself resisted the move.&#13;
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Bishop Mariano Cuartero and the faithful turned to prayer. As thunder rolled and lightning split the sky, they pleaded for her consent. On February 1, 1874, after a solemn procession and fervent supplication, the image finally allowed herself to be transferred.&#13;
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To devotees, it was yet another sign that the Candelaria was not merely an object — but a presence that responded to reverence.&#13;
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Chains, Crowns, and Reverence&#13;
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More than a century later, in 1981, another challenge arose. Archbishop Alberto Piamonte prepared to lower the image for a special crowning by Pope John Paul II. Again, resistance — this time mechanical. The chains holding the image snapped repeatedly. It was only after Engineer “Tantoy” Locsin suggested proper reverence that the tone shifted.&#13;
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When Archbishop Piamonte donned full episcopal regalia, the chains finally held. The image was lowered safely, marking a moment many still recall with awe.&#13;
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The Growing Mystery&#13;
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Devotees often speak of another quiet miracle: the statue appears to grow — slowly, proportionately, almost imperceptibly. Rev. Fr. Arthur Ledesma, a true-blooded Jareño tasked yearly with preparing the image on the eve of the fiesta, attests to this mystery.&#13;
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“Kinahanglan sugponan ko kada tuig ang alambre sang corona kay indi na mag-igu,” he says.&#13;
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Whether miracle or mystery, each observation deepens the bond between the Candelaria and her people.&#13;
&#13;
From the Canary Islands to Jaro&#13;
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The devotion traces its roots to the original Virgin of Candelaria in the Canary Islands, Spain. Candlemas — celebrated every February 2 — commemorates the Presentation of Jesus at the Temple and the Purification of the Blessed Virgin Mary, traditions observed as early as 400 A.D. Candles blessed on this day are believed to offer protection from calamities, storms, and lightning.&#13;
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Legend records that the original image appeared in 1392 on the shores of Tenerife, discovered by two Guanche goatherds. From there, devotion spread across Spain, Latin America, and eventually the Philippines — finding one of its most fervent homes in Jaro.&#13;
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Faith That Endures&#13;
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Pilgrims stream into the Jaro Metropolitan Cathedral, reflecting the enduring pull of faith that continues to draw generations of devotees. AJ PALCULLO/PN&#13;
Pilgrims stream into the Jaro Metropolitan Cathedral, reflecting the enduring pull of faith that continues to draw generations of devotees. AJ PALCULLO/PN&#13;
Today, Our Lady of Candelaria is memory, refuge, and reassurance. In whispered prayers, candlelit processions, and stories retold across generations, she remains a beacon — proof that faith, once rooted deeply enough, can carry a community through war, doubt, and time itself.&#13;
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And as long as candles are lit every February, the story of the Candelaria will continue to glow — steady, resilient, and alive./PN&#13;
&#13;
&#13;
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                <text>ALONG the quiet, slow-moving waters of the Iloilo River emerged one of Western Visayas’ most enduring symbols of faith. Carved from stone, the image of Our Lady of Candelaria carries a presence far larger than her size, anchoring centuries of belief, whispered miracles, and a devotion that refuses to fade.</text>
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              <text>FROM THE STREETS TO THE SUMMIT: Quiet grit of Dinagyang choreographer’s double crown&#13;
By Ime Sornito -Friday, January 30, 2026&#13;
Steven Jacosalem celebrates, a rare release after weeks of relentless rehearsals and pressure-filled days that culminated in a historic double victory at Dinagyang 2026.&#13;
Steven Jacosalem celebrates, a rare release after weeks of relentless rehearsals and pressure-filled days that culminated in a historic double victory at Dinagyang 2026.&#13;
&#13;
ILOILO City — Under the thunder of drums and the blaze of colors that define Dinagyang, victories are often credited to spectacle: grand costumes, synchronized movements, and flawless execution on the streets. But behind two of Dinagyang 2026’s most talked-about triumphs — the grand slam of Maasin’s Tribu Tultugan Festival at Kasadyahan sa Kabanwahanan and the championship run of Tribu Salognon of Jaro National High School — stands a choreographer whose journey began far from the spotlight.&#13;
&#13;
Steven Jacosalem did not emerge overnight as a festival powerhouse. Long before his name became synonymous with winning choreography, he was a dancer — one among many — absorbing lessons from different tribes, different masters, and different stages of Dinagyang. Today, he is the creative force steering two competing tribes to the top, an achievement that even he admits still feels unreal.&#13;
&#13;
&#13;
Tribu Salognon of Jaro National High School brings the forest to life during its championship performance at the Ati tribes competition of Dinagyang 2026, marked by powerful imagery, disciplined movement, and seamless choreography.&#13;
“Winning both Dinagyang and Kasadyahan is beyond what I ever dreamed of. Bringing pride to Tribu Salognon and Tribu Tultugan Festival is a blessing I will forever treasure. This victory is not mine alone — this belongs to everyone who sacrificed, believed, and stood with us all the way,” Jacosalem said in an official statement.&#13;
&#13;
Tribu Salognon of Jaro National High School brings the forest to life during its championship performance at the Ati tribes competition of Dinagyang 2026, marked by powerful imagery, disciplined movement, and seamless choreography.&#13;
He was quick to redirect the applause to the youngest members of his teams — the dancers themselves — whom he called “the true heroes of this journey.”&#13;
&#13;
“The long practices, tired bodies, missed rest, and endless discipline you gave showed your passion and love for the art. Your sacrifices turned dreams into reality,” he added.&#13;
&#13;
One Choreographer, Two Worlds&#13;
&#13;
Handling one Dinagyang tribe is pressure enough. Handling two — each with a distinct identity, mandate, and set of expectations — was a logistical and creative tightrope.&#13;
&#13;
Jacosalem admitted the challenge was intensified by circumstances beyond artistry. Preparation for Tribu Salognon had to come first, largely because Maasin’s local government unit was preoccupied with its town fiesta last December 30, 2025, and later hosted the Third Congressional Meet. The result: no proper venue and barely any time for Tultugan Festival rehearsals.&#13;
&#13;
In the end, Tultugan had less than two weeks to prepare.&#13;
&#13;
Still, time constraints were only part of the equation. The bigger challenge was conceptual.&#13;
&#13;
“It was difficult on our part because the concepts and choreography could not be the same. They really had to be different. But then again, we all know Dinagyang will always be Dinagyang. Kasadyahan is different because the province’s plan is really to promote what each town has,” Jacosalem said.&#13;
&#13;
Pressure That Breaks—or Builds&#13;
&#13;
The strain of juggling expectations took a physical toll. Four days before Kasadyahan sa Kabanwahanan, Jacosalem was hospitalized due to stress.&#13;
&#13;
“The pressure we experienced was no joke. Four days before Dinagyang, I was hospitalized because the stress was overwhelming. You don’t even know anymore whether you should eat or sleep because everything is back-to-back,” he recalled.&#13;
&#13;
Pressure came in different forms. With Tribu Salognon, the burden was aspiration. They were not the defending champions, but they were aiming high.&#13;
&#13;
“You’re not the defending champion, yet you are aiming for something bigger — that’s what adds to the pressure,” Jacosalem said.&#13;
&#13;
For Tultugan Festival, the pressure was heavier but more familiar. Maasin was gunning for a rare three-peat.&#13;
&#13;
“The pressure in Maasin is already a given because we are aiming for the three-peat. With Salognon, the pressure was different because we were still aiming to win. Tultugan had to defend the title,” he explained.&#13;
&#13;
Resources, too, told two very different stories.&#13;
&#13;
“The big difference is that Maasin’s LGU has the funds, so we can pull off everything we want to happen. With Salognon, it’s about how the school can provide what the artistic team needs so we can present everything more clearly and beautifully,” Jacosalem added.&#13;
&#13;
Shaped by the Masters&#13;
&#13;
Jacosalem traces much of his creative depth to his years as a dancer under various tribes, including Tribu Paghidaet and Tribu Pan-ay of Fort San Pedro National High School, and to working alongside respected choreographers such as Romel Flogen.&#13;
&#13;
“I’ve been through different choreographers who really honed me. It feels good because I’ve experienced both worlds. I went through everything, and maybe that’s what gave strength to my work. I’ve been exposed to the best, world-class choreographers, and I gathered all my learnings from them,” he said.&#13;
&#13;
That exposure, he believes, allowed him to blend discipline with creativity — tradition with innovation — without losing Dinagyang’s soul.&#13;
&#13;
Looking Ahead, Choosing Carefully&#13;
&#13;
With Maasin’s Mayor Francis Amboy openly floating plans for Tultugan Festival to join the Ati Tribes Competition in Dinagyang 2027, Jacosalem inevitably faces questions of loyalty and choice.&#13;
&#13;
He revealed that discussions with the mayor happened even before the plan became public, noting that Amboy has long admired the Ati tribes competition.&#13;
&#13;
Jacosalem’s advice was measured and rooted in faith and timing: wait for the right moment.&#13;
&#13;
He added that such a move would ultimately depend on divine guidance.&#13;
&#13;
In the whirlwind of drums, cheers, and confetti, Steven Jacosalem remains grounded — a former dancer who climbed the ranks not by noise, but by discipline, sacrifice, and an unshakeable respect for the art that shaped him./PN&#13;
&#13;
(caption choreographer Steven Jacosalem)&#13;
&#13;
(Tribu Salognon – Ati Tribes Competition)&#13;
&#13;
(Tultugan Festival – Kasadyahan sa Kabanwahanan)&#13;
Maasin, Iloilo’s Tultugan Festival dazzles the crowd at Kasadyahan sa Kabanwahanan, blending rural heritage and vibrant storytelling in a performance that sealed its rare grand slam under choreographer Steven Jacosalem.&#13;
&#13;
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                <text>ILOILO City — Under the thunder of drums and the blaze of colors that define Dinagyang, victories are often credited to spectacle: grand costumes, synchronized movements, and flawless execution on the streets. But behind two of Dinagyang 2026’s most talked-about triumphs — the grand slam of Maasin’s Tribu Tultugan Festival at Kasadyahan sa Kabanwahanan and the championship run of Tribu Salognon of Jaro National High School — stands a choreographer whose journey began far from the spotlight.</text>
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              <text>34 LGUs recognized for population dev’t programs&#13;
By Ime Sornito -Thursday, January 29, 2026&#13;
&#13;
ILOILO — Thirty-four local government units (LGUs), including the provincial government of Iloilo, have been recognized by the Commission on Population and Development (CPD) Region 6 for exemplary performance in advancing population and development initiatives.&#13;
&#13;
In a recognition granted under the 2025 Population and Development (POPDEV) Awards, CPD-6 named 33 municipalities in Iloilo as outstanding local population offices for their consistent implementation of inclusive and community-focused population programs.&#13;
&#13;
These municipalities are Barotac Viejo, Dingle, Maasin, Leon, Anilao, Guimbal, Barotac Nuevo, Dumangas, Mina, Pavia, Zarraga, Pototan, San Enrique, Santa Barbara, Tigbauan, Banate, Concepcion, Alimodian, Igbaras, Calinog, Carles, Miag-ao, Oton, San Dionisio, Ajuy, Balasan, Batad, Cabatuan, Estancia, Janiuay, Lemery, San Miguel, San Rafael, and Tubungan.&#13;
&#13;
At the provincial level, Iloilo was one of only three provinces in Western Visayas to receive the distinction, alongside Guimaras and Negros Occidental, highlighting its leadership in population and development governance in the region.&#13;
&#13;
The recognized LGUs and the provincial government of Iloilo are scheduled to formally receive their awards during the POPDEV Awards ceremony on March 13., 2026&#13;
&#13;
In a congratulatory statement, CPD-6 commended the awardees for setting a benchmark in local governance.&#13;
&#13;
“The Commission on Population and Development Region 6 proudly congratulates our Outstanding Local Population Offices in Western Visayas for their exemplary performance and unwavering commitment to advancing population and development initiatives.&#13;
&#13;
Your dedication to responsive, inclusive, and people-centered programs continues to inspire excellence in local governance and community development,” CPD-6 said.&#13;
&#13;
Provincial Population Office (PPO) head Atty. Ruel Von Superio credited the achievement to the dedication of municipal population officers, saying he never doubted their capacity to deliver results.&#13;
&#13;
“I knew — without question — that every Population Program Officer designated in our municipalities who joined the POPDEV Awards would rise and succeed, because I believe in each of them — their passion, their commitment, and their limitless dedication and potential,” Superio said.&#13;
&#13;
The POPDEV Awards recognize LGUs that demonstrate effective integration of population concerns into development planning, service delivery, and community engagement, reinforcing the role of population offices in addressing long-term social and economic challenges./PN&#13;
&#13;
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              <text>Iloilo-Korea direct flight could unlock tourism, trade gains for Panay – guv&#13;
By Ime Sornito -Thursday, January 29, 2026&#13;
EXPLORING DIRECT AIR LINK. Gov. Arthur Defensor Jr. of Iloilo confers with Lee Sang-hwa, ambassador of the Republic of Korea to the Philippines, during a courtesy visit at the Iloilo Provincial Capitol on Monday, January 26, 2026 where the possibility of establishing a direct Iloilo–South Korea flight was discussed. PHOTO FROM BALITA HALIN SA KAPITOLYO&#13;
EXPLORING DIRECT AIR LINK. Gov. Arthur Defensor Jr. of Iloilo confers with Lee Sang-hwa, ambassador of the Republic of Korea to the Philippines, during a courtesy visit at the Iloilo Provincial Capitol on Monday, January 26, 2026 where the possibility of establishing a direct Iloilo–South Korea flight was discussed. PHOTO FROM BALITA HALIN SA KAPITOLYO&#13;
ILOILO – The long-standing push for a direct air link between Iloilo and South Korea is back on the table, with Gov. Arthur Defensor Jr. raising the proposal anew during a courtesy visit by the ambassador of the Republic of Korea to the Philippines, Lee Sang-hwa.&#13;
&#13;
Defensor said a direct Iloilo–Seoul flight would significantly boost tourism and trade not only for Iloilo City and Iloilo province but for the entire Panay Island, citing the steady flow of Korean visitors to Western Visayas — particularly to Boracay Island — and the growing Korean community based in Iloilo.&#13;
&#13;
According to the governor, there are currently around 500 Korean nationals living in Iloilo.&#13;
&#13;
Defensor stressed that the proposed Iloilo–South Korea route remains a priority regional connectivity project that had already gained traction before being shelved during the COVID-19 pandemic.&#13;
&#13;
The push for a direct flight is also being supported by the Department of Tourism (DOT). Even before, Crisanta Marlene Rodriguez, regional director of DOT in Western Visayas, had been advocating for direct international flights from Iloilo to Korea, as well as to Taiwan and Japan, to attract more foreign tourists to the region.&#13;
&#13;
“We are hoping to have more international direct flights to and from Iloilo,” Rodriguez said in an interview last year during the resumption of flights from Iloilo to Hong Kong, Singapore, and Bangkok, Thailand.&#13;
&#13;
DOT data showed Western Visayas recorded 5,909,568 tourist arrivals in 2024, a 10.25 percent increase from 2023 and slightly higher than the 5.8 million arrivals logged in 2019. These arrivals generated an estimated P74 billion in visitor receipts, with P10.96 billion coming from foreign and overseas Filipino tourists.&#13;
&#13;
Aklan accounted for the biggest share with 2,202,023 tourists and P42.93 billion in receipts, followed by Iloilo City with 1,001,028 tourists and P9.40 billion. Iloilo province recorded 358,475 tourists and P3.94 billion in receipts, while Antique, Capiz, and Guimaras posted more modest but steadily growing figures.&#13;
&#13;
“These figures reflect the growing tourism industry in Western Visayas and the region’s potential to attract more international visitors in the years ahead,” Rodriguez said.&#13;
&#13;
At present, Iloilo International Airport serves daily domestic flights to Cagayan de Oro, Cebu, Clark, Davao, General Santos, Manila, Puerto Princesa, Tagbilaran (Bohol), Legazpi, and Dumaguete, with Cebu Pacific, Philippine Airlines, and AirAsia operating at the airport./PN&#13;
&#13;
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              <text>Defensor backs return of Ati tribes, Kasadyahan competition to City Proper in Dinagyang 2027&#13;
By Ime Sornito -Thursday, January 29, 2026&#13;
&#13;
ILOILO — Gov. Arthur Defensor Jr. threw his support behind the Iloilo Festivals Foundation Inc.’s (IFFI) plan to bring back both the Ati tribes competition and the Kasadyahan sa Kabanwahanan to the Iloilo City Proper for Dinagyang Festival 2027, saying the provincial government has “no issue” with the reset and will continue to back decisions made by festival organizers and the city government.&#13;
&#13;
“No issue. (If) ibalik sa (C)ity (Proper) maayo man. We will always support,” Defensor said.&#13;
&#13;
The provincial contingent cannot split or take a different route, he stressed.&#13;
&#13;
As to the use of the provincial government-run Iloilo Sports Complex as Dinagyang judging area, Defensor acknowledged that it carries both benefits and drawbacks.&#13;
&#13;
While the sports complex can accommodate up to 5,000 spectators, but said the atmosphere is markedly different compared with the City Proper, which hosts the food festival and serves as the city’s commercial center.&#13;
&#13;
“Nami sa sports complex, damo mapapungko. Ugaling lain gid man eh. Kon ako lang ya, this is my personal opinion, lain ang vibe kon ara ikaw sa stadium. Ang stadium is a venue for sports events,” Defensor explained.&#13;
&#13;
He stressed, however, that designating the sports complex as a judging area for this year’s Dinagyang was not a mistake but a matter of weighing trade-offs.&#13;
&#13;
Defensor also thanked the San Jose de Placer Church, the Iloilo City government, Iloilo Festivals Foundation Inc., provincial department heads, and festival committees for what he described as a successful Dinagyang Festival 2026, noting marked improvements in performances across both Kasadyahan and Ati tribes competitions.&#13;
&#13;
“It was a very successful Dinagyang. The festival was elevated. We look forward for more improvements in the coming years,” Defensor said./PN&#13;
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                <text>ILOILO — Gov. Arthur Defensor Jr. threw his support behind the Iloilo Festivals Foundation Inc.’s (IFFI) plan to bring back both the Ati tribes competition and the Kasadyahan sa Kabanwahanan to the Iloilo City Proper for Dinagyang Festival 2027, saying the provincial government has “no issue” with the reset and will continue to back decisions made by festival organizers and the city government.</text>
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              <text>‘GLOW IN THE DARK’: Dinagyang ILOmination ‘warriors’ to flood city streets with light tonight&#13;
By Ma. Theresa Ladiao -Friday, January 23, 2026&#13;
The Iloilo Festivals Foundation, Inc. says the Dinagyang Festival’s ILOmination competition continues to evolve as a platform for creative expression, blending modern lighting technology with deeply rooted cultural narratives. Photo shows Pandang Gitab of Oriental Mindoro, one of the five competing light festival groups in this year’s ILOmination. ILOILO DINAGYANG FESTIVAL/FACEBOOK PHOTO&#13;
The Iloilo Festivals Foundation, Inc. says the Dinagyang Festival’s ILOmination competition continues to evolve as a platform for creative expression, blending modern lighting technology with deeply rooted cultural narratives. Photo shows Pandang Gitab of Oriental Mindoro, one of the five competing light festival groups in this year’s ILOmination. ILOILO DINAGYANG FESTIVAL/FACEBOOK PHOTO&#13;
&#13;
ILOILO City – This southern metropolis will turn into a sea of light and movement tonight as Dinagyang Festival’s ILOmination competition takes over the city. Spectators for this annual celebration’s biggest nighttime spectacle will be seeing the parade route transformed into a moving canvas of lights, music, and choreography.&#13;
&#13;
Set to start at 5 p.m. this Friday, January 23, the illuminated parade will roll out from the Atria on the long stretch of the bustling Sen. Benigno Aquino Jr. Avenue, pass through SM City Iloilo, and culminate at the Iloilo Business Park.&#13;
&#13;
Five competing light festival groups from across the country will take part in this year’s ILOmination. These are the following:&#13;
&#13;
* Pandangg Gitab Festival of Oriental Mindoro&#13;
&#13;
* Banaag Festival of Anilao, Iloilo&#13;
&#13;
* Dinagyang ILOmination contingent of Iloilo City&#13;
&#13;
* Pavvurulun Afi Festival of Tuguegarao City; and&#13;
&#13;
* Zamboanga Hermosa Festival of Zamboanga City&#13;
&#13;
According to Dinagyang organizer Iloilo Festivals Foundation, Inc. (IFFI), ILOmination continues to evolve as a platform for creative expression, blending modern lighting technology with deeply rooted cultural narratives.&#13;
&#13;
The nighttime showcase highlights regional diversity while reinforcing Iloilo City’s reputation as an innovative festival host that balances tradition with contemporary spectacle.&#13;
&#13;
&#13;
Adding a distinct cultural dimension to the evening is a special Lion and Dragon Dance performance by the Iloilo Cultural Federation, Inc., symbolizing prosperity, good fortune, and harmony as the city also ushers in the Chinese New Year.&#13;
&#13;
With glowing colors, pulsating rhythms, and intricate designs, Dinagyang 2026’s ILOmination is expected to draw large crowds, once again underscoring why Dinagyang remains among the country’s most dynamic and anticipated cultural celebrations.&#13;
&#13;
The following Saturday night, foodies at the Iloilo Food Festival downtown will get an added treat as participating tribes of the ILOmination contest stage a special performance.&#13;
&#13;
“We want everyone enjoying our local cuisine to also experience the color, movement, and excitement of ILOmination,” Treñas said, adding that the activity highlights how Dinagyang continues to innovate while remaining inclusive and accessible to the public.&#13;
&#13;
The special performance will be staged on a 360-degree setup on Valeria-Delgado Streets, City Proper, with the platform positioned at the center and surrounded by food kiosks and activity areas, allowing spectators to view the show from all angles.&#13;
&#13;
Treñas said the interactive layout is meant to enhance the overall festival experience, blending food, culture, and performance into one immersive event.&#13;
&#13;
“We want people to feel the festival, to be part of it — whether they come for the food, the lights, or the performances,” she said./PN&#13;
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              <text>Tultugan eyes Dinagyang 2027 Ati tribes tilt after grand slam&#13;
By Ime Sornito -Wednesday, January 28, 2026&#13;
&#13;
BAMBOO BEAT, GRAND SLAM FEAT. Performers of the Tultugan Festival of Maasin, Iloilo power through a high-energy routine during the Kasadyahan sa Kabanwahanan 2026, showcasing synchronized bamboo percussion, intricate costumes, and disciplined choreography that propelled the festival to a historic third straight championship. MAI LADIAO/PN&#13;
ILOILO — Riding the momentum of a historic grand slam at the Kasadyahan sa Kabanwahanan competition of Dinagyang Festival 2026, the Tultugan Festival of Maasin town is now eyeing a bigger stage, with plans to compete in the prestigious Ati tribes competition of Dinagyang in 2027.&#13;
&#13;
Tultugan clinched its third consecutive championship at Kasadyahan sa Kabanwahanan, sealing a rare three-peat.&#13;
&#13;
Mayor Francis “Ansing” Amboy said Maasin will take a break from Kasadyahan next year to give other festivals a chance at the title, as the town prepares to channel its creative energy toward the Dinagyang Ati tribes competition.&#13;
&#13;
Asked about the secret behind Tultugan Festival’s consistent victories, Amboy credited unity, teamwork, and hands-on leadership, even with limited preparation time.&#13;
&#13;
“Tanan nagabuligay, kag especially they have a dancing mayor kag hands-on mayor. We give our best. We have 20 days preparation but grabe ang kabataan, grabe ang performers kag grabe ang pagbuylog sang mga pumoluyo sang Maasin,” he added.&#13;
&#13;
The Tultugan Festival is a cultural and environmental celebration held annually in the municipality of Maasin, known as the “Bamboo Capital of Panay”. The festival centers on the town’s abundant bamboo resources and its traditional bamboo percussion instrument, the tultog. &#13;
&#13;
For now, the Tultugan Festival is awaiting the decision of the Iloilo provincial government on whether it will be selected to represent the province in the upcoming Aliwan Fiesta in Metro Manila.&#13;
&#13;
Aliwan Fiesta is a premier annual cultural event in the country held in Pasay City, showcasing festivals from various regions.&#13;
&#13;
In recognition of the dedication and hard work of Maasin’s student performers and their teachers — and to allow them time to rest and recover — Mayor Amboy announced the suspension of classes in both public and private schools at all levels in Maasin on Monday, January 26.&#13;
&#13;
“We thank the public for their understanding and continued support as we celebrate and showcase the talents of our youth and the vibrant culture of Maasin,” Amboy said in an official statement.&#13;
&#13;
Aside from winning the championship, Tultugan Festival also dominated the special awards, securing Best in Production Design, Music, Street Dancing, Costume, Musical Director, and the Circular Creativity Award. The festival took home P1.2 million in cash and a trophy.&#13;
&#13;
The Kahilwayan Festival of Santa Barbara finished as first runner-up, earning P700,000, a trophy, and multiple special awards, including Best in Performance, Best in Choreography, People’s Choice Award, Best in Choreographer, and Best in Ingenuity Award.&#13;
&#13;
Kasag Festival of Banate placed second runner-up, receiving P500,000 and a trophy.&#13;
&#13;
The eight festivals that competed in Kasadyahan sa Kabanwahanan were Jimanban Festival of New Lucena; Tawili Festival of San Rafael; Salakayan Festival of Miag-ao; Pagnahi-an Festival of Bingawan; Tultugan Festival of Maasin; Kasag Festival of Banate; Kahilwayan Festival of Santa Barbara; and Banaag Festival of Anilao./PN&#13;
&#13;
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                <text>ILOILO — Riding the momentum of a historic grand slam at the Kasadyahan sa Kabanwahanan competition of Dinagyang Festival 2026, the Tultugan Festival of Maasin town is now eyeing a bigger stage, with plans to compete in the prestigious Ati tribes competition of Dinagyang in 2027.</text>
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              <text>Concepcion set to host 142-MW solar farm; Visayas seen to get electricity supply boost&#13;
By Neljoy N. Galigao -Saturday, January 24, 2026&#13;
ILOILO — Northern Iloilo’s push for renewable energy is gaining momentum.&#13;
&#13;
Developers confirmed that a 142-megawatt solar power project in the municipality of Concepcion is moving toward construction this year, positioning the town as a major contributor to the Visayas power grid.&#13;
&#13;
The large-scale solar farm, being developed by MGen Renewable Energy Inc. in partnership with Saudi-based ACWA Power, is expected to break ground within the next six to eight months following recent site visits and consultations with provincial and local government officials.&#13;
&#13;
Project proponents have already secured about 150 hectares of land at the foothills of Mt. Apitong, covering selected areas in barangays Loong and Nipa.&#13;
&#13;
Once completed, the facility will have a designed capacity of 142.10 megawatts, making it one of the largest solar installations planned in northern Iloilo.&#13;
&#13;
The project is seen as a significant boost to the Visayas electricity supply amid rising demand for cleaner and more sustainable power sources.&#13;
&#13;
In a report released by the Concepcion municipal government, local officials said the solar farm is expected to deliver several benefits to the town, including job generation during the construction phase, increased local revenues from taxes, and stronger positioning of Concepcion as a renewable energy hub in the province.&#13;
&#13;
“During construction, priority will be given to hiring local residents, both skilled and unskilled,” the report said, noting that the project could help improve employment opportunities in the municipality.&#13;
&#13;
The municipal government also expects the project to generate substantial tax revenues that can be channeled into public services such as healthcare, education, and infrastructure, while helping reduce the town’s carbon footprint.&#13;
&#13;
At present, MGen is completing regulatory requirements and final logistical preparations to ensure the smooth rollout of the project, which is slated to rise at the foothills of Mt. Apitong in the coming months.&#13;
&#13;
&#13;
Local officials said the planned solar farm underscores Concepcion’s growing role in Iloilo’s transition toward clean and sustainable energy./PN&#13;
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              <text>Galigao, N. [ 2026, January 24 ]. Concepcion set to host 142-MW solar farm; Visayas seen to get electricity supply boost. Panay News, 2&amp;15.&#13;
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                <text>ILOILO — Northern Iloilo’s push for renewable energy is gaining momentum.&#13;
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              <text>Defensor underscores faith-centered roots of Dinagyang as ‘hermano mayor’&#13;
By Ime Sornito -Saturday, January 24, 2026&#13;
Iloilo Province’s Gov. Arthur Defensor Jr. and mother Cosette (representing her son’s wife Michelle) hold the ceremonial staffs after their formal installation as hermano y hermana mayor of Dinagyang Festival 2026 during rites at San Jose de Placer Parish Church in Plaza Libertad, Iloilo City, marking the opening of the novena for the Feast of Señor Sto. Niño. PHOTO FROM BALITA HALIN SA KAPITOLYO&#13;
Iloilo Province’s Gov. Arthur Defensor Jr. and mother Cosette (representing her son’s wife Michelle) hold the ceremonial staffs after their formal installation as hermano y hermana mayor of Dinagyang Festival 2026 during rites at San Jose de Placer Parish Church in Plaza Libertad, Iloilo City, marking the opening of the novena for the Feast of Señor Sto. Niño. PHOTO FROM BALITA HALIN SA KAPITOLYO&#13;
&#13;
ILOILO — Even as Dinagyang Festival continues to grow into one of the country’s biggest cultural and tourism events, Gov. Arthur Defensor Jr. reminded Ilonggos that the festival’s true foundation remains deeply religious, urging the public not to lose sight of its devotion to Señor Santo Niño.&#13;
&#13;
After his recent installation as hermano mayor, Defensor stressed that Dinagyang, like town fiestas honoring patron saints, should never be reduced to spectacle alone, as its very source and meaning come from the celebration of the Santo Niño.&#13;
&#13;
“Let us celebrate ining kapistahan naton with that in mind… una don’t overlook nga this is the celebration of the church,” Defensor said, noting that this was his first time to be installed as hermano mayor (elder church lay leader), alongside his wife, First Lady Michelle Defensor, who was named hermana mayor.&#13;
&#13;
Defensor said Dinagyang’s religious core should always guide how the festivities are observed, even as the event continues to serve as a platform for broader initiatives of the provincial government.&#13;
&#13;
He expressed gratitude that the festival has also allowed the province to roll out key programs, including the launch of a new executive order and the use of Kasadyahan sa Kabanwahanan as a venue for implementing the province’s tourism development plan.&#13;
&#13;
“Salamat sa simbahan naton, to the parish for the celebration of the Santo Niño, kapistahan ini sia. This is the fiesta celebration…That we have an opportunity to celebrate in this way kay man ang tanan nga ini mahalin gid ina dira,” Defensor said. “When you have something like this, many good things happened… the celebration is already a platform of the implementation of our tourism development plan. So, we are thankful that we have this celebration.”&#13;
&#13;
The governor also shared his personal appreciation for the role, saying he readily accepted the responsibility that comes with being hermano mayor.&#13;
&#13;
“I’m very happy that they choose me and I accept it. I was expose to that kind of responsibility and were very happy to take part, it has become an integral part of the festivity,” Defensor said. “I’m very happy nga ako ginpili nila nga nabal-an ko na kon ano na sia nga responsibilidad.”&#13;
&#13;
&#13;
The installation rites were held at around 5:30 p.m. on January 16 at San Jose de Placer Parish Church, and were officiated by Fr. Nelson Zerda.&#13;
&#13;
The titles hermano and hermana mayor, rooted in Hispanic tradition and meaning “older brother” and “older sister,” refer to lay leaders entrusted with supporting and overseeing religious activities related to the feast in Filipino Catholic celebrations./PN&#13;
&#13;
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                <text>ILOILO — Even as Dinagyang Festival continues to grow into one of the country’s biggest cultural and tourism events, Gov. Arthur Defensor Jr. reminded Ilonggos that the festival’s true foundation remains deeply religious, urging the public not to lose sight of its devotion to Señor Santo Niño.</text>
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